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FOURTEEN TILES

REAL STORIES OF UNUSUAL CHARACTERS

A flawed but rich collection of portraits that evoke the pains and joys of the past.

In this mosaic of short essays, the author reflects on encounters with colorful characters.

Soukup describes his book as “a collection of stories about the author’s friends who did unusual, often crazy things.” Though the focus is on his acquaintances, Soukup’s own storied life sneaks into these pages. He grew up in Prague and was 8 years old when World War II ended. He aspired to be a cellist and a painter but eventually became an electrical engineer; fled to Canada in 1970, two years after the Soviets invaded Prague; and co-wrote computer programs with his wife. Each entry focuses on a friend encountered during Soukup’s eventful route through the 20th century and into the 21st. He teases out themes large and small: boats, war, wives, loss, wounds and illnesses, jobs, art and music, hardship. In “Two Knives,” Soukup recalls meeting Sean, a Vietnam vet with horrific tales of combat, who helped him fix his boat. Soukup compares his path through life with that of a fellow Czech painter in “Algorithmic Vampire.” Another essay recounts the author’s friendship with a brilliant engineer from Kiev as they struggled to maintain their relationship across years, national divisions, and the Iron Curtain. In the three stories of the “Cello Saga,” the author remembers the beloved teacher who taught him to play. The book’s website includes samples of the music mentioned in these sections.

Soukup is a gifted writer. His background as a painter infuses his writing with visual potency; a sailboat “seems to fly over the water leaving a trail of light like a comet.” He has a nose for sensory details, as when he describes a painter’s studio: “A fresh breeze…brought in the scent of blooming chestnuts from the park below.” At their best, the stories make room for the human error and subjectivity of the storyteller, most notably in “Unknown Great Artist.” The chapter ends with Soukup’s tracking down Pavla, his childhood crush, to share what he wrote about her. She was less than impressed: “I don’t remember some of your episodes and you misinterpret the others,” she says. He admits that “the feverish mind of a love-struck teenager” isn’t always reliable. When Soukup tries to impart meaning, as in “Algorithmic Vampire,” an otherwise poignant story, it goes poorly. He ends with a pat note about his own fortune: “I had nothing to fear.” Soukup writes fondly of his mother and his late wife, Hanna, whom he calls “my…colleague, best friend, and my soulmate”; he admires husbands who love and dote on their partners. Yet his writing is overwhelmingly male in focus and addresses women somewhat condescendingly. At a dinner party, he observes, “For all of us, including the women, life is one big adventure.” In this book, women only ever enter the frame tangentially, glancingly, and they are rarely responsible for the “crazy things” documented here.

A flawed but rich collection of portraits that evoke the pains and joys of the past.

Pub Date: N/A

ISBN: 978-1-9992711-0-7

Page Count: 236

Publisher: Magic Well Publishing

Review Posted Online: June 16, 2021

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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