by J.K. Rowling ‧ RELEASE DATE: Sept. 27, 2012
A departure and a revelation, though the story is dark and doesn't offer much in the way of redemption (or, for that matter,...
Harry Potter’s mommy has a potty mouth.
The wires have been abuzz for months with the news that Rowling was writing a new book—and this one a departure from her Potter franchise, a book for grown-ups. The wait was worth it, and if Rowling’s focus remains on tortured adolescents (as if there were any other kind), they’re teenagers trapped without any magic whatsoever in a world full of Muggles. There’s some clef in this roman, magic or not: The setting is a northerly English town full of council estates and leafy garden suburbs inhabited by people who, almost without exception, are not very happy and really not very likable. While a special election is in the offing, they do the usual things: They smoke and drink and masturbate, and they say and think things along the lines of “Like fuck he does, the cunt,” and when they’re lucky, they have sex, or at least cop a feel, best when a young woman named Krystal is involved. Ah, Krystal, a piece of work both nasty and beguiling: “She knew no fear, like the boys who came to school with tattoos they had inked themselves, with split lips and cigarettes, and stories of clashes with the police, of taking drugs and easy sex.” Sometimes, as with the figure who opens the piece, Rowling’s characters die—and, as with the American Henry James’ oh-so-English novel The Spoils of Poynton, when they do, they set things in motion. Other times, they close things up but never neatly. The reader will be surprised at some of Rowling’s victims and the ways she chooses to dispose of them, but this is less a book about mayhem than about the grimness of most lives. It is skillfully, often even elegantly written, and though its cast of characters is large and its thrills and spills few, Rowling manages to keep the story tied together and moving along nicely. Even so, it’s difficult to find much purchase among some of her characters, particularly the tough, poor ones who live on the edge of town, and it often seems that Rowling doesn’t like them much either. In all, when they’re not sneaking off to Yarvil for relief, the residents of Pagford are Hobbesian through and through: rich hate poor, and poor hate rich; Indians hate Anglos, and Anglos hate Indians; and everyone hates the meddlesome middle-class do-gooders with suggestive names like Fairbrother who try to make things better.
A departure and a revelation, though the story is dark and doesn't offer much in the way of redemption (or, for that matter, much in the way of laughs). Still, this Rowling person may have a career as a writer before her.Pub Date: Sept. 27, 2012
ISBN: 978-0-316-22853-4
Page Count: 512
Publisher: Little, Brown
Review Posted Online: Oct. 1, 2012
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by J.K. Rowling illustrated by Joel Holland
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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