by J.K. Rowling ‧ RELEASE DATE: Sept. 27, 2012
A departure and a revelation, though the story is dark and doesn't offer much in the way of redemption (or, for that matter,...
Harry Potter’s mommy has a potty mouth.
The wires have been abuzz for months with the news that Rowling was writing a new book—and this one a departure from her Potter franchise, a book for grown-ups. The wait was worth it, and if Rowling’s focus remains on tortured adolescents (as if there were any other kind), they’re teenagers trapped without any magic whatsoever in a world full of Muggles. There’s some clef in this roman, magic or not: The setting is a northerly English town full of council estates and leafy garden suburbs inhabited by people who, almost without exception, are not very happy and really not very likable. While a special election is in the offing, they do the usual things: They smoke and drink and masturbate, and they say and think things along the lines of “Like fuck he does, the cunt,” and when they’re lucky, they have sex, or at least cop a feel, best when a young woman named Krystal is involved. Ah, Krystal, a piece of work both nasty and beguiling: “She knew no fear, like the boys who came to school with tattoos they had inked themselves, with split lips and cigarettes, and stories of clashes with the police, of taking drugs and easy sex.” Sometimes, as with the figure who opens the piece, Rowling’s characters die—and, as with the American Henry James’ oh-so-English novel The Spoils of Poynton, when they do, they set things in motion. Other times, they close things up but never neatly. The reader will be surprised at some of Rowling’s victims and the ways she chooses to dispose of them, but this is less a book about mayhem than about the grimness of most lives. It is skillfully, often even elegantly written, and though its cast of characters is large and its thrills and spills few, Rowling manages to keep the story tied together and moving along nicely. Even so, it’s difficult to find much purchase among some of her characters, particularly the tough, poor ones who live on the edge of town, and it often seems that Rowling doesn’t like them much either. In all, when they’re not sneaking off to Yarvil for relief, the residents of Pagford are Hobbesian through and through: rich hate poor, and poor hate rich; Indians hate Anglos, and Anglos hate Indians; and everyone hates the meddlesome middle-class do-gooders with suggestive names like Fairbrother who try to make things better.
A departure and a revelation, though the story is dark and doesn't offer much in the way of redemption (or, for that matter, much in the way of laughs). Still, this Rowling person may have a career as a writer before her.Pub Date: Sept. 27, 2012
ISBN: 978-0-316-22853-4
Page Count: 512
Publisher: Little, Brown
Review Posted Online: Oct. 1, 2012
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by J.K. Rowling illustrated by Joel Holland
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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