by J.K. Scott ‧ RELEASE DATE: Jan. 5, 2011
A transcendent sci-fi beach read.
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In the second installment of Scott’s (Shades of Truth, 2007) sci-fi trilogy, an undercover guardian of the human race dodges bullets in Arizona and Peru and passes through dimensional gates of space-time.
Sara Alessa Giustino was born in 16th-century Italy but retains her youth and vigor five centuries later thanks to childhood mentoring and a few physical alterations by a “cosmic alien” from Andromeda named Kryios. Sara has a mission to protect the planet’s biosphere and the humans within it, because Earth turns out to be a valuable piece of real estate in the universe. After finishing an assignment to destroy an alien lab, Sara receives an anonymous note warning of a billion-dollar price on her head and urging her to visit an Arizona man named David. She finds him in Sedona, along with other shady characters in a covert group centered on finding the Urstar, a hidden alien artifact of immense power. Sara and David, just a few steps ahead of pursuers, soon travel to mystic gates in North and South America. While this novel has all the elements for a trendy paranormal romance, the author opts instead for a lean, matter-of-fact action thriller, complete with car chases and hostage takings. Along the way, Sara passes through different realms of consciousness and existence, tours far-future cities and underground complexes, and even undergoes a Doctor Who–style regeneration. The book’s dizzying cosmology embraces UFOs, Area 51, black holes, moon-landing coverups, astrology, reincarnation, pyramid power, the Bermuda Triangle, crystals, chakras, karma and the fifth dimension. Fortunately, it’s all delivered with a light, brisk touch of pure pulp fantasy.
A transcendent sci-fi beach read.Pub Date: Jan. 5, 2011
ISBN: 978-1450269124
Page Count: 292
Publisher: iUniverse
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: May 15, 2013
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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