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HOW TO BE MARRIED

WHAT I LEARNED FROM REAL WOMEN ON FIVE CONTINENTS ABOUT SURVIVING MY FIRST (REALLY HARD) YEAR OF MARRIAGE

Newlyweds and couples looking to jump-start a foundering relationship will find Piazza’s analysis of marriage useful,...

How women from different cultures handle the complexities of marriage.

Before journalist Piazza (co-author: The Knockoff, 2015, etc.) met her future husband, she had a successful career and good friends, and she knew how to live happily by herself. After marriage, she had to adjust to having another person in her life on a continuous basis, and like many newlyweds, she wondered if she was doing it correctly. “Marriage experts,” she writes, “call the first year of marriage ‘the wet cement year,’ because it’s the time when both members of a couple are figuring out how to exist as partners without getting stuck in the murk. It’s a time to set and test boundaries and create habits that continue for the rest of your marriage.” This idea led the author to ponder how women in other countries adjusted to sharing space, money, time, and all the other minor and major aspects that affect the union of two people under one roof. To smooth their own “wet cement,” Piazza and her husband traveled around the globe for work and pleasure, and she interviewed women from all walks of life about their secrets to a successful marriage. The answers were useful, humorous, seductive, and often far more intricate than she imagined. Among dozens of other pieces of advice, her interview subjects suggested to create a comfortable home, wear sexy lingerie (paid for by the man) on a daily basis, take care of yourself first, discuss most subjects but keep some things hidden, and, contrary to conventional wisdom, allow yourself to go to bed angry. Piazza blends the life stories of these interviewees with her own struggles during those first 12 months of matrimony.

Newlyweds and couples looking to jump-start a foundering relationship will find Piazza’s analysis of marriage useful, amusing, and engaging.

Pub Date: April 18, 2017

ISBN: 978-0451495556

Page Count: 304

Publisher: Harmony

Review Posted Online: Feb. 6, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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