by Joan Aiken ‧ RELEASE DATE: June 20, 1994
Prolific, innovative storyteller Aiken (Jane Fairfax, 1991, etc.) again pays tribute to Jane Austen in a cheerful spinoff of Sense and Sensibility. Here Aiken pulls onstage the child Eliza, a by-blow borne by another Eliza who was, in turn, the illegitimate offspring of a cousin and old love of Colonel Brandon. It was the stalwart colonel, remember, who eventually won the hand of Marianne Dashwood, one of the two sisters around whom the Austen novel revolves. As Austen reported, in his brief confession to sensible Elinor Dashwood, the colonel mentions his deceased cousin Eliza's girl and her situation: "I removed her and her child to the country and there she remains." Indeed she doesn't, in Aiken's tale, although her daughter stays in the country at an unhealthy baby farm haphazardly run by the boozing Mrs. Wellcome. Eliza III's childhood includes education of sorts from a shady clergyman, joy in trotting after Mr. Bill (Wordsworth) and Mr. Sam (Coleridge), and the pleasure of outwitting Mrs. Wellcome to rescue a tot from Gypsies. At 13, Eliza sets out to find her parents. Her search leads her to the Ferrars (Edward, now cranky and a prig; Elinor, nee Dashwood, now "haggard and anxious"), to school in Bath, and to lodging with a rough-hearted widow who is also at times a buccaneer shoplifter. Eliza escapes rape, rescues Elinor from death, finds haven with an impotent duke, and discovers her parents in Portugal, where she kills a man and makes new acquaintances. What happened to Colonel Brandon, Marianne, and the faithless Willoughby, Marianne's first love? Never fear: Aiken draws all the threads together in an imaginative resolution that feels true to the spirit of Austen's novel. An engaging, calamity-filled romance rich with Aiken's shrewd reading of Austen's people and an appreciative sense of fun.
Pub Date: June 20, 1994
ISBN: 1402212887
Page Count: 352
Publisher: St. Martin's
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: May 15, 1994
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by Joan Aiken
BOOK REVIEW
by Joan Aiken
BOOK REVIEW
by Joan Aiken
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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