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THE PAPER ANNIVERSARY

A first novel that explores with humor and depth the on-and- off marriage of two confused young Ivy Leaguers. Clever, flighty Maisie—the daughter of a dance instructor who died when Maisie was young and a mother who worked as a secretary in Virginia—has lived for the day when she could flee to Harvard and the glamorous urban life she was sure lay ahead. There, Maisie meets a boy she believes might fulfill her dreams—Jack, the staid son of a french-fry-factory owner and a Harvard man by birth. When Jack's father dies and Jack feels compelled to return home to dreary Champs du Soleil, Maine, to take care of the factory, Maisie marries him—despite serious qualms that she could be signing away her life before it's even begun. Months later, when Jack shows no signs of selling the factory, Maisie panics and escapes again—this time to a girlfriend's apartment in New York. Officially, Maisie is there temporarily for the sake of her career, and she throws herself into the role of half of a glamorously commuting professional couple, working as an editorial assistant while Jack tackles the decidedly unglamorous problems of french-fry manufacture. Months pass with few visits between New York and Maine, and Maisie tumbles inexorably toward a few pointless affairs, while Jack is drawn toward his advertising rep, who's as stable and predictable as himself. Guilt-ridden over their betrayals, estranged and uncertain about their future, Jack and Maisie try a formal separation—only to learn that without one another life lacks spark and focus. Older and wiser, Maisie forgets her dreams of a glamorous life and Jack gives up his factory, and the two meet halfway—in Boston—to make a family together. A sweet, penetrating look at young love—and an unusually well-crafted debut.

Pub Date: April 1, 1993

ISBN: 0-670-84064-5

Page Count: 356

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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