by Joan Wolf ‧ RELEASE DATE: May 11, 1993
It's a couple of generations after the end of Daughter of the Red Deer (1991), Wolf's first sally into prehistory, when this sequel gets into gear; but we're still talking plenty long ago, 13,000 years or so, during the time of Cro-Magnon man—he of the cave paintings in the south of France. And, as before, we're back in the matrilineal Tribe of the Red Deer, where the Mistress's disfavored son, Ronan, champs at the bit for power and responsibility, only to be set up as a rapist by his lustful sister, Morna. Mistress Arika, who sees Ronan's charisma as a threat to her tribe's female hegemony, sides with Morna and drives him out. So he strikes off into the Pyrenees, where he forms a new tribe composed of other outcasts like himself, and with the help of his new wife, Nel, tames wild horses. And it's a good thing, since all of the Kindred tribes of the region are about to be harried by invaders who come from the northern tundras and are known as the Horsemasters. While Ronan organizes the Kindred into a fighting force, Wolf introduces us to more prehistoric types—the cave painter, Thorn; Siguna, captured daughter of the Horsemaster chief; and Culen, the squalling babe Nel and Ronan take in when Morna dies in childbirth. Wolf gives the tale a happy conclusion, even though, as everyone knows, the thundering hordes from the north eventually did murder, plunder, and pillage the gentler folk from the south. Accomplished, credible, but not quite as thematically clever as the series' first book.
Pub Date: May 11, 1993
ISBN: 0-525-93589-4
Page Count: 416
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by Candace Bushnell ‧ RELEASE DATE: Aug. 6, 2019
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.
The further adventures of Candace and her man-eating friends.
Bushnell (Killing Monica, 2015, etc.) has been mining the vein of gold she hit with Sex and the City (1996) in both adult and YA novels. The current volume, billed as fiction but calling its heroine Candace rather than Carrie, is a collection of commentaries and recounted hijinks (and lojinks) close in spirit to the original. The author tries Tinder on assignment for a magazine, explores "cubbing" (dating men in their 20s who prefer older women), investigates the "Mona Lisa" treatment (a laser makeover for the vagina), and documents the ravages of Middle Aged Madness (MAM, the female version of the midlife crisis) on her clique of friends, a couple of whom come to blows at a spa retreat. One of the problems of living in Madison World, as she calls her neighborhood in the city, is trying to stay out of the clutches of a group of Russians who are dead-set on selling her skin cream that costs $15,000. Another is that one inevitably becomes a schlepper, carrying one's entire life around in "handbags the size of burlap sacks and worn department store shopping bags and plastic grocery sacks....Your back ached and your feet hurt, but you just kept on schlepping, hoping for the day when something magical would happen and you wouldn't have to schlep no more." She finds some of that magic by living part-time in a country place she calls the Village (clearly the Hamptons), where several of her old group have retreated. There, in addition to cubs, they find SAPs, Senior Age Players, who are potential candidates for MNB, My New Boyfriend. Will Candace get one?
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.Pub Date: Aug. 6, 2019
ISBN: 978-0-8021-4726-4
Page Count: 272
Publisher: Grove
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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SEEN & HEARD
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SEEN & HEARD
by Elizabeth Strout ‧ RELEASE DATE: April 15, 2008
A perfectly balanced portrait of the human condition, encompassing plenty of anger, cruelty and loss without ever losing...
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The abrasive, vulnerable title character sometimes stands center stage, sometimes plays a supporting role in these 13 sharply observed dramas of small-town life from Strout (Abide with Me, 2006, etc.).
Olive Kitteridge certainly makes a formidable contrast with her gentle, quietly cheerful husband Henry from the moment we meet them both in “Pharmacy,” which introduces us to several other denizens of Crosby, Maine. Though she was a math teacher before she and Henry retired, she’s not exactly patient with shy young people—or anyone else. Yet she brusquely comforts suicidal Kevin Coulson in “Incoming Tide” with the news that her father, like Kevin’s mother, killed himself. And she does her best to help anorexic Nina in “Starving,” though Olive knows that the troubled girl is not the only person in Crosby hungry for love. Children disappoint, spouses are unfaithful and almost everyone is lonely at least some of the time in Strout’s rueful tales. The Kitteridges’ son Christopher marries, moves to California and divorces, but he doesn’t come home to the house his parents built for him, causing deep resentments to fester around the borders of Olive’s carefully tended garden. Tensions simmer in all the families here; even the genuinely loving couple in “Winter Concert” has a painful betrayal in its past. References to Iraq and 9/11 provide a somber context, but the real dangers here are personal: aging, the loss of love, the imminence of death. Nonetheless, Strout’s sensitive insights and luminous prose affirm life’s pleasures, as elderly, widowed Olive thinks, “It baffled her, the world. She did not want to leave it yet.”
A perfectly balanced portrait of the human condition, encompassing plenty of anger, cruelty and loss without ever losing sight of the equally powerful presences of tenderness, shared pursuits and lifelong loyalty.Pub Date: April 15, 2008
ISBN: 978-1-4000-6208-9
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
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