A fine collection of essays on identity, at once wide-ranging and site-specific.

THIS WAY BACK

A Greek American considers her family and identity through the lens of her family’s homeland of Cyprus.

In this winning and contemplative collection, Eleftheriou considers her divided self in a variety of ways. She’s a New Yorker who’s still deeply connected to Cyprus, where her father grew up and where she spent much of her childhood. She’s Greek but formed by American culture, especially books by writers like Laura Ingalls Wilder. She’s an out lesbian but still bearing the weight of religious and cultural dictates that kept her closeted for years. In one essay, she finds an effective metaphor for this split in Cyprus itself, which remains divided into Greek and Turkish sections; taking a road trip into the Turkish north, she considers questions of betrayal, history, secrets, and grudges. “The island is like a human bone that has been badly broken but that no doctor ever set,” she writes. But Eleftheriou feels free to rove around a variety of subjects, letting the theme of division emerge rather than announce it. She discusses the firebrand actress Melina Mercouri, at once a Hollywood glamour queen and outspoken critic of the 1970s Greek dictatorship; family squabbles over her late father’s property emphasize an unsettled sense of place. It’s all intimate and a touch mournful, most powerfully so when the author writes about her sexuality. Cyprus did not have a pride parade until 2014, with marchers facing violent attacks and persecution. Much of Eleftheriou’s writing on the subject is candid about finding her voice and standing her ground amid a homophobic culture. (She recalls a Greek Orthodox priest telling her being gay was “like being deformed.”) A more chronological arrangement would clarify her family history and personal journey, but in any order, these essays reveal an impassioned and hard-fought sense of self and place.

A fine collection of essays on identity, at once wide-ranging and site-specific.

Pub Date: Oct. 1, 2020

ISBN: 978-1-949199-66-6

Page Count: 264

Publisher: West Virginia Univ. Press

Review Posted Online: June 26, 2020

Kirkus Reviews Issue: July 15, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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