A moving tale that goes on far too long: it ends up sounding as sad and rambling as a drunk’s confession.

THE OUTSIDE OF AUGUST

A wistful family portrait by Hershon (Swimming, 2001) follows two Long Island children through adolescence to adulthood as they struggle to make sense of their parents’ unhappy marriage.

No matter what Tolstoy thought, unhappy families are made miserable by pretty much the same things—money, drugs, or sex. Sometimes madness clouds the picture, too, and this seems like a real possibility in the case of the Greens of Long Island. Alan and Charlotte are a suave, well-educated couple (he a neurobiologist, she an artist) who raised two fine children (son August, daughter Alice) in their tastefully decorated colonial house. Or, at least, they started to: from the time the kids could make their own breakfasts, Charlotte went traveling, by herself, on vaguely defined (and often unannounced) “business trips” that usually lasted several months or more. Alan, unhappy about these disappearances but powerless to keep Charlotte home, retreated into his work and often spent twelve hours a day at the lab. He became even more distant after Charlotte died under mysterious circumstances when the children were still in their teens. Given their start in life, it’s not a surprise that neither August nor Alice fits in comfortably with the suburban world around them. August left home early, became a surfer, and traveled the world looking for the perfect wave; Alice moved to Manhattan and became a kind of professional grad student. Their father’s death, now, brings them together for the first time in 15 years, but, nevertheless, August can’t stay put long and flees without an explanation the day after the funeral. Incensed, Alice tracks him to Mexico (where he’s living as a kind of beachfront squatter) and tries to learn what he’s hiding from. Instead, she learns what drove her mother away nearly two decades before.

A moving tale that goes on far too long: it ends up sounding as sad and rambling as a drunk’s confession.

Pub Date: Aug. 1, 2003

ISBN: 0-345-43915-5

Page Count: 320

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2003

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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