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SECOND HONEYMOON

Modest and unerringly real—a love song to ordinary life.

British author Trollope’s tale of confronting life post-motherhood is a masterpiece of the mundane.

When Edie met Russell, she was 22, a struggling actress with slapdash ways and a big heart. Three grown children and the best years of her life later, Edie is still slapdash and sweet, still acting and still happily married to Russell. But the departure of her youngest child, Ben, hits her unaccountably hard. Russell welcomes the chance to renew his love affair with his wife, but Edie smashes his hopes, treating him coldly and dismissively. The husband, she seems to be saying, was only a stage. Now that the children are gone, her sense of purpose is, too. Another author would have used this opportunity to introduce infidelities, divorce, suicide attempts—the whole disaster kit of contemporary fiction. But Trollope (Marrying the Mistress, 2000 etc.) is not writing about characters, she is writing about people. Russell spends a bit more time at work; his most extreme reaction to his wife’s unpleasantness is a wry smile. Edie gets a part in an Ibsen play, and despite much whining that she doesn’t even care, at last becomes joyfully obsessed with her acting again. When the grown children begin to return home, still needing their parents after all, Edie is initially elated. Now that she has started her new life, though, she soon wants them—and their laundry—out of the way. Trollope spends time with each of the children, and even some of their friends and lovers, creating a large and complex canvas of everyday events. Her people worry about their jobs, quarrel with their siblings, can’t afford the apartments where their partners want to live. It’s a world where people get on with life, act crabby for a while, but in the end cheer up.

Modest and unerringly real—a love song to ordinary life.

Pub Date: March 7, 2006

ISBN: 1-59691-038-0

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2005

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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