A university professor hunts for her marine biologist mother’s enigmatic research, which dangerous individuals also want, in this series opener.
Professor Riley Rawlings’ late-night voicemail from her mother, Claudia, is obscure: “Don’t let them get my research.” Riley soon learns that the research vessel, on which Claudia was lead scientist, has sunk. The Coast Guard finds 16 passengers dead, but as Claudia is not among them, Riley initially believes her mother is still alive. Riley quickly offers her help to Hunters & Seekers, the salvage and investigation company the San Diego Police Department has contracted for assistance. Not only is she an experienced diver, but she’ll also be able to decipher any possible evidence her mother has left behind regarding her location or research. Riley doesn’t know any specifics about the research, but she’s able to follow a string of clues from Claudia, much like a scavenger hunt. Riley, along with Hunters & Seekers’ Dagger Eastin, Kaleb LaSalle, and Stone Garrison, all former SEALs, searches with caution, as it’s apparent that the sunken ship was no accident. Indeed, someone wants Claudia’s work, and a mysterious man is shadowing the group, hoping Riley will lead him to the research and seemingly waiting for his chance to strike. Jaytanie’s (Love, Take Two Collection, 2017, etc.) concise writing begets a swift narrative with no extraneous characters. For example, a woman from Dagger’s past is a dual threat—to Riley’s life as well as her blossoming relationship with the ex-SEAL. Riley, whom Dagger rightly dubs “fearless,” holds her own with her male comrades, and it’s gratifying to watch her decode Claudia’s cryptic clues. Unfortunately, the entertaining scavenger hunt ends a bit too soon, prior to the novel’s halfway point. But other mysteries ensue, including Claudia’s whereabouts, Dagger’s connection to the woman from his past, and the identity of the villainous mastermind. Although gradual details of the baddies’ plot become increasingly convoluted, the ultimate reveal is comprehensible and the story’s resolution is thorough.
A sprightly plotted thriller and dynamic characters should leave readers eager for the sequel.Pub Date: Jan. 31, 2019
ISBN: 978-1-948170-04-8
Page Count: 276
Publisher: Time Tunnel Media
Review Posted Online: April 26, 2019
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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