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THE MIRACLE OF THE FIRST POINSETTIA

A MEXICAN CHRISTMAS STORY

Oppenheim tells the familiar story of the first Poinsettia (also the subject of picture books by Tomie de Paola and Pat Mora) with a sure hand. Juanita, a poor child in rural Mexico longs for a Christmas gift for the Christ child. A stone angel tells her to pick some weeds; when they’re transformed miraculously into beautiful red flowers, they become the perfect gift. Oppenheim enriches the Mexican flavor by sprinkling Spanish words throughout the text and including a glossary and pronunciation key. A carol (with music and words in Spanish and English), traditionally sung by the mariachis at Christmastime, concludes the story. Negrin’s intense oil-and-wax pastel, colored-pencil, and watercolor illustrations border on the surreal, with their bold use of modeling and contrasting deep blues, reds, and glowing gold. They also provide authentic details and decorations of papel picado, birds, butterflies, and flowers. A Christmas gem. (Picture book. 5-9)

Pub Date: Sept. 1, 2003

ISBN: 1-84148-245-5

Page Count: 32

Publisher: Barefoot Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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GOING HOME

From the Caldecott Medal—winning team behind Smoky Night (1994), the story of a migrant family returning to Mexico for the Christmas holidays. Carlos and his sisters are not at all sure that "home" is Mexico, although they were born there. It is difficult for them to understand their parents' enthusiasm for the long journey and for the tiny town of La Perla at the end of it. A tender revelation, when Carlos realizes that his parents left the place they deeply loved to provide their children with "opportunities," ties the tale of the journey to the season, the moment, and the future. Diaz creates an explosion of color in his familiar format of a visual environment that is whole and entire: He designed the eccentric, legible typeface; set the framed illustrations and text blocks on digitally enhanced photographs of flowers, pottery, baskets, and folk art; and filled the pictures with his signature saturated colors in bold, broad planes. These do not bind readers to the tale any more than the words do, hinting at the depth of parental love and sacrifice while distancing children from genuine understanding. An affectionate, but not exceptional offering. (Picture book. 5-8)

Pub Date: Sept. 30, 1996

ISBN: 0-06-026296-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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CHRISTMAS DAY IN THE MORNING

This longer story by Nobel Laureate Buck, originally published in 1955, is presented for the first time as an illustrated work for children. Early one Christmas, an older man thinks back to his best Christmas morning in the year that he was 15 and living on his family dairy farm. That year, the narrator of the story, Rob, surprised his father with a special, heart-felt gift by getting up in the middle of the night to do all the milking by himself so his father could have Christmas morning off. The boy’s joy in planning the surprise for his father and the touching appreciation, pride, and love in the father’s gratitude are effectively conveyed in both the moving text and in Buehner’s (Snowmen at Night, p. 1385, etc.) realistic paintings. His deep-toned, striking illustrations are mainly set at night, with snowy farm scenes lit only by glowing lantern and shining star. One spread shows the Nativity scene with puffy clouds in a turquoise evening sky shaped like angel heralds, and the following memorable spread of the barn at night repeats this element with subtle clouds in the shapes of the participants in the manger setting. Buck’s sentimental but touching story memorably illustrates the value of a gift created with love, a gift like Buehner’s. (illustrator’s note) (Picture book. 6-9)

Pub Date: Oct. 1, 2002

ISBN: 0-688-16267-3

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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