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THE FIG EATER

Another time and place made real; a pleasure for some, excessive for others.

After her nonfiction fashion books, All that Glitters and A Stylish History (not reviewed), Shields debuts with a novel about

murder, superstition, and bourgeois sexual intrigue all set, somewhat self-consciously, in 1911 Vienna. When a well-off young woman named Dora is found strangled and brutalized in the Volksgarten, more mysteries than just that of her murder are set in motion: Why was human excrement placed nearby, what did it mean that the victim (as her stomach contents) had eaten figs shortly before her death, and—later—why was the body dug up, a thumb severed, stolen, and hidden? The police, of course, try assiduously to answer these and other questions by whatever means they can, including photography, a dangerous art thanks to the explosive powders it uses. While the official investigation goes on, led by the central but unnamed character known as "the Inspector," a parallel investigation also goes forward, this one secretly undertaken by the Inspector's wife—Ersz‚bet, of Hungarian background—and her young friend Wally, an Englishwoman working as a governess. The Inspector and the women discover much that's the same: a cross-entanglement, between Dora's family and that of the imperious Herr Zellenka, of affairs, sex, syphilis, and terrible physical scarring of women. Is there a key to it all that can explain Dora's murder? Ersz‚bet's eastern European background has made her familiar with superstition, spells, and the occult as these were known among the gypsies, and increasingly (tarot cards play a role) she leans toward the conviction of the killer's being a monster or "wolfman" (a csord sfarkus)—an idea proven "true" in the end. All this is set in its place and time with the most fastidious detail and remarkable authorial knowledge, though one feels often less swept up by intrigue than badgered by a relentless tour director ("You know, there's a legend about Emperor Franz Josef visiting the markt here . . . ").

Another time and place made real; a pleasure for some, excessive for others.

Pub Date: March 1, 2000

ISBN: 0-316-78564-4

Page Count: 320

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2000

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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