In terms of pushing the story along and getting Kong atop the Empire State Building, DeVito and Strickland get the job done....

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MERIAN C. COOPER’S KING KONG

A just-passable pulpy novel based on Meriam C. Cooper’s tale King Kong, immortalized in a 1933 film, from DeVito and Strickland (Kong: King of Skull Island, 2004).

“Have you ever heard of . . . Kong?” one character asks another of the iconic gorilla. Oh, yes. And with Peter Jackson’s December ’05 film remake, the world will hear quite a lot more. The authors’ aim is to reintroduce swashbuckling filmmaker Cooper’s original novel and film. Authorized by the Cooper estate, it features a top-secret excursion to mythical Skull Island in search of the storied Kong and a cast of characters cemented in the popular imagination by the film: an old sea salt with a monkey for a pet, a danger-seeking moviemaker, a dashing leading man and a pretty waif (lured, starving, off the streets of New York). The prose here is simultaneously workmanlike and sensationally extravagant (“High above, the nimble airplanes renewed their dance of death as they dove toward Kong in another grotesquely beautiful ballet”). Newcomers will appreciate the sense of mystery that builds during the voyage and pre-Kong encounters with Skull Island natives. As with the film, the third act can seem a long time coming. A more contemporary and adult approach might have invited book-club explorations of colonialism, racism and humankind’s exploitation of the natural world, but the idea is to keep the cornerstone of the franchise as pure as possible. This they do, though the best piece of writing here is James V. D’Arc’s foreword. The curator of Cooper’s papers at Brigham Young University, D’Arc writes movingly of Cooper, truly a larger-than-life figure—although not as large as his famous primate.

In terms of pushing the story along and getting Kong atop the Empire State Building, DeVito and Strickland get the job done. But whether today’s readers will appreciate their faithful effort is another question.

Pub Date: Oct. 1, 2005

ISBN: 0-312-34915-7

Page Count: 192

Publisher: St. Martin's Griffin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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