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SUBMARINE

Sharp observations don’t count for much beside such an unappealing protagonist.

The small world of Oliver Tate is detailed in this limp first novel by a young Welshman.

Oliver is almost 15, the only child of middle-class parents in Swansea, South Wales, and a self-absorbed smartass. His best friend is Chips, the school bully; he and Oliver make life such hell for a fat girl called Zoe that she’s forced to transfer. On a family vacation in Tuscany, he’s too busy tricking his father into rescuing him from a mock drowning to notice he’s in a foreign country. The story he narrates is sprinkled with diary entries and e-mails; brand names lend it a spurious reality. The first time he has sex it’s with his girlfriend Jordana in his parents’ bed. (The bed could use the action; the marriage of Oliver’s parents is going through a rough patch, and they haven’t had sex in months.) Oliver’s mother Jill goes to a meditation retreat run by an old friend, Graham, a New Age type who Oliver believes is bent on seducing her. He follows her there, planning an “intervention,” but comes off looking like a self-dramatizing jerk, in contrast to the calm, long-suffering adults. (This episode, and its later ramifications, are what you get to chew on in lieu of a plot.) He doesn’t manage any better with Jordana, whose mother is having an operation for a brain tumor. Jordana has become newly sensitive to those around her, a sensitivity Oliver has no use for; he ignores her in her hour of need, so naturally she dumps him. Then Zoe shows up, more attractive and many pounds lighter, and devises an ingenious payback. Poor Oliver; it’s just not fair. Is suicide the answer? He ends his story with a grandiose vision of his corpse being plucked from the ocean; the shot is all over the Internet and CNN. Any coming-of-age moment is still a long way off.

Sharp observations don’t count for much beside such an unappealing protagonist.

Pub Date: April 1, 2008

ISBN: 978-1-4000-6683-4

Page Count: 320

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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