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SUBMARINE

Sharp observations don’t count for much beside such an unappealing protagonist.

The small world of Oliver Tate is detailed in this limp first novel by a young Welshman.

Oliver is almost 15, the only child of middle-class parents in Swansea, South Wales, and a self-absorbed smartass. His best friend is Chips, the school bully; he and Oliver make life such hell for a fat girl called Zoe that she’s forced to transfer. On a family vacation in Tuscany, he’s too busy tricking his father into rescuing him from a mock drowning to notice he’s in a foreign country. The story he narrates is sprinkled with diary entries and e-mails; brand names lend it a spurious reality. The first time he has sex it’s with his girlfriend Jordana in his parents’ bed. (The bed could use the action; the marriage of Oliver’s parents is going through a rough patch, and they haven’t had sex in months.) Oliver’s mother Jill goes to a meditation retreat run by an old friend, Graham, a New Age type who Oliver believes is bent on seducing her. He follows her there, planning an “intervention,” but comes off looking like a self-dramatizing jerk, in contrast to the calm, long-suffering adults. (This episode, and its later ramifications, are what you get to chew on in lieu of a plot.) He doesn’t manage any better with Jordana, whose mother is having an operation for a brain tumor. Jordana has become newly sensitive to those around her, a sensitivity Oliver has no use for; he ignores her in her hour of need, so naturally she dumps him. Then Zoe shows up, more attractive and many pounds lighter, and devises an ingenious payback. Poor Oliver; it’s just not fair. Is suicide the answer? He ends his story with a grandiose vision of his corpse being plucked from the ocean; the shot is all over the Internet and CNN. Any coming-of-age moment is still a long way off.

Sharp observations don’t count for much beside such an unappealing protagonist.

Pub Date: April 1, 2008

ISBN: 978-1-4000-6683-4

Page Count: 320

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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