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GUARD DOG

A noble, animalistic hero leads an action-packed romp.

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In first-time novelist Hajduk’s supernatural tale, a man uses newfound, unusual powers to thwart a sinister plan unfolding at the company where he’s employed.

Thirty-two-year-old Gus Shepard is intelligent but has no ambition, content with his job at a biotech company. This changes when a strange man at a flea market gives him a “god dog,” which Gus mishears as guard dog. The dog and Gus are in a car accident, after which the former inexplicably vanishes. But Gus’ parents have previously encountered a god dog; this one, according to his mom, has transferred its energy into Gus. Though already skilled in martial arts, Gus has picked up a few abilities, like “super-enhanced vision” and a keen sense of smell. He uses these skills to rescue a young boy walking into oncoming traffic and a Chihuahua from heartless gangsters. But Gus’ dad, formerly special forces, surmises a war of good vs. evil is imminent and sends his son to an old friend for weapons training. It turns out there’s something nefarious underway at Gus’ workplace, which has a link to his love interest, the enigmatic Lisa. Gus concocts a plan to foil the diabolical scheme. Hajduk gives his protagonist a curious backstory: Years ago, his father smuggled his mother out of North Korea. And Gus’ accompanying canine traits—he tracks someone by scent like “a trained hound dog”—make him an atypical hero. The narrative is initially composed of seemingly unrelated events: Early on, Gus has a run-in with Mexican thugs and plots revenge against an ex who helped herself to his bank account. However, most of these events and characters knit together in a memorably frantic final act. The action scenes throughout are vibrantly detailed: Gus tosses a baddie into a “Ferris Wheel” spin, and a multi-jeep confrontation ends “with an explosive crunch.”

A noble, animalistic hero leads an action-packed romp.

Pub Date: Feb. 22, 2018

ISBN: 978-1-9790-1326-0

Page Count: 228

Publisher: CreateSpace

Review Posted Online: July 16, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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