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A CURE FOR GRAVITY

A MUSICAL PILGRIMAGE

One of New Wave’s original “angry young men,” Joe Jackson highlights his journey from Portsmouth, England to the Royal Academy of Music to pop star in this lively musical memoir. Jackson, who emerged in the late ’70s as a contemporary of Elvis Costello and Graham Parker, and went on to score pop success with such songs as “Is She Really Going Out With Him?,” “Steppin’ Out,” “Breaking Us in Two,” “Jumping Jive,” and “I’m the Man,” has proven to be one of rock’s most enigmatic performers. In fact, he’s often been accused of being confrontational and pretentious. The latter trait is evidenced early in A Cure for Gravity, and often slows down the flow of the book, as Jackson eschews the linear autobiographical route for sometimes lengthy digressions into a form of music criticism (on subjects that range from Steely Dan, whom he calls one of his biggest influences, to Beethoven). It’s not that his views aren’t interesting, as he clearly knows his material; it’s that they disrupt what is a sometimes comical, dead-on portrayal of coming of age as a musical outcast. Growing up in a portside town as a young asthmatic, Jackson was gawky and unathletic, a deadly combination that often attracted what he calls the “hardnuts” (bullies who ostracized him for being different). However, by the time he was a teenager, he’d discovered his musical gift, first playing solos in local pubs (despite being underage), then looking for bands to showcase his talents. His tales of the horrible gigs he had to take early on, as in a Greek restaurant where his group backed up a screaming singer and a belly dancer, are often as hilarious as those in The Commitments. Jackson has a remarkable recollection of his days as a struggling musician, and those anecdotes not only entertain, they make Jackson remarkably human, a characteristic not even his fans have always seen. A Cure for Gravity should be required reading for anyone who’s ever attempted to start a band, either for fun or to make it as a professional musician. And even those who’ve only thought about it as a passing fancy will find much delight in this touching musical journey. (Author tour)

Pub Date: Nov. 1, 1999

ISBN: 1-891620-50-9

Page Count: 304

Publisher: PublicAffairs

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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