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TENDER AS HELLFIRE

A rambling and oddly good-natured debut describing a childhood spent on the wrong side of the tracks. Any number of novels have been written about unhappy childhoods and bizarre families, but this one surpasses many—at least on the weirdo scale. Narrated by Dough Lunt, it’s a recollection of his first years in the aptly named western town of Tenderloin, where he and his brother Pill were moved when their mother’s boyfriend found work at the local meat-packing factory. The Lunt boys, having grown up in Duluth, are not quite prepared for life among the rednecks, and the trailer park where their mother deposits them doesn—t exactly introduce them to the cream of Tenderloin society. French, their mother’s pothead boyfriend, moves in with them, and soon he and Mrs. Lunt are hosting swingers” parties every Friday, while Dough and Pill find themselves in school with the kind of backwoods girls who can perform sex acts long before they know what menstruation is. Still fairly innocent at the age of 11, Dough is nevertheless well accustomed to the sight of grownups copulating on sofas and pulling knives on their girlfriends—and, eventually, he takes up religion in a half-hearted attempt to put order and a modicum of decency into his life. Meno arranges his tale episodically, concentrating on specific characters or incidents in each chapter (the tango dancer who moves into the trailer next door, or the birthday party spoiled by bickering relatives). Although extremely vivid, it suffers badly from this arrangement, which provides no central narrative to make its parts cohere. The final effect is somewhat pointless. Less than the sum of its parts, Meno’s story would have made a few good sketches. As a novel, though, it has the stilted, heavy feel of a wingless bird trying to fly.

Pub Date: March 11, 1999

ISBN: 0-312-20051-X

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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