A full-tilt collision of wish-fulfillment and unrequited desires that’s thrilling, yet almost unbearably sad.
What happens when a Hardy Boy grows up?
Mood is everything here, and Meno (Bluebirds Used to Croon in the Choir, 2005, etc.) tunes it like a master, even though such a task initially appears impossible. Billy Argo, resident boy detective of his small New Jersey burg, seems to have inherited the aura of brains, fearlessness and rigid moral compass that always served the likes of Encyclopedia Brown in such good stead. Billy solves crimes and foils villains without breaking a sweat, aided by younger sister Caroline and heavyset friend Fenton. Their successes are trumpeted in newspaper headlines straight out of kids’ adventure books (“Boy Detective Solves Fatal Orphanage Arson”), prompting suspicions that what the author has in mind is a long and ironic riff on children’s fiction. But the book takes a dark turn as the years pass. Billy continues solving crimes and generally being a prodigy (“College Now For Boy Detective”), but Caroline slips into depression and ultimately commits suicide. Her brother winds up in an asylum as a result, not re-entering the world until he’s 30. This is the point at which Meno, a tricky postmodernist who likes to embed separate story capsules on blank pages and leave nonsense words in the margins, might be expected to throw the curtain back, showing that our hero was crazy all along, no crimes were solved and his whole life was a lie. Instead, the author gives Billy a gallery of rogues to combat and even sends him to investigate the Convocation of Evil at a local hotel (“Featured Panel: To Wear a Mask?”). Meno sets himself a complicated task, marooning his straight-arrow, pulp-fiction protagonist in a world uglier than the Bobbsey Twins ever faced but refusing to go for satire. Instead, the author takes his compulsive investigator at face value.
A full-tilt collision of wish-fulfillment and unrequited desires that’s thrilling, yet almost unbearably sad.Pub Date: Sept. 15, 2006
ISBN: 1-933354-10-0
Page Count: 320
Publisher: Punk Planet/Akashic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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