Fans of the place where “anybody who’s a little different runs…as fast as they can” will find much to like here.

AUSTIN TO ATX

THE HIPPIES, PICKERS, SLACKERS, AND GEEKS WHO TRANSFORMED THE CAPITAL OF TEXAS

A searching character study of the lively Texas capital city.

Patoski (The Dallas Cowboys: The Outrageous History of the Biggest, Loudest, Most Hated, Best Loved Football Team in America, 2012, etc.) arrived in Austin in the shiniest days of its golden era, a time when every bar hosted live music and the city was “loose, easy, and cheap.” As a former music journalist–turned–alt-Texas enthusiast, he writes about everything that makes Austin what it is, from the paradise of Barton Springs to the moon towers and Austin City Limits. His approach is celebratory without being cloying, albeit with an elegiac closing that laments the sad fact that with economic and demographic growth, “Austin had arrived at the maturation/saturation point of a Manhattan or a San Francisco. Limits had been reached.” Anyone who’s tried to drive I-35 or find an affordable home in the city will appreciate the author’s appeal to the good old days. Along the way from then until now, Patoski hits all the bases, including the city’s culinary culture, a blend of the trendy and the new with reverence for the old and hand-rolled (especially when it comes to barbecued meats); Austin’s underappreciated literary culture (Patoski ranks this magazine among the city’s lights, along with writers such as Gary Cartwright and James Michener); the movie scene, dominated by Richard Linklater and Robert Rodriguez; and, of course, the music, with legendary places like Antone’s and the Armadillo World Headquarters giving hippies and rednecks a place to party together. Patoski works with a wealth of material that sometimes overpowers the narrative; the long sections on Whole Foods could have been cut in half without harm, and there’s a touch too much repetition of the idea of Austin’s uniqueness and the tragedy that it couldn’t have been kept weird. Still, if there’s excess, it’s appropriately Texas-sized and easily forgivable.

Fans of the place where “anybody who’s a little different runs…as fast as they can” will find much to like here.

Pub Date: Jan. 22, 2019

ISBN: 978-1-62349-703-3

Page Count: 376

Publisher: Texas A&M Univ.

Review Posted Online: Dec. 31, 2018

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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