In-depth celebration of the Lone Star music legend.
Veteran Texas scribe Patoski (coauthor, Stevie Ray Vaughan: Caught in the Crossfire, 1993), well-equipped to pen a 75th-birthday look at Nelson’s eventful life, begins with a knowing look at his subject’s Abbott, Texas, roots. Born in 1933, the product of a quickly broken marriage, Nelson was just a boy when he realized that writing and performing music promised an escape from poverty and cotton picking. After bouncing around Texas as a journeyman musician and DJ, he finally landed in Nashville, where his success as a songwriter (author of Patsy Cline’s “Crazy” and Faron Young’s “Hello Walls”) led to an RCA recording contract. But Nelson, a cardigan-wearing anomaly in a town full of Nudie-suited establishmentarians, found no commercial or creative satisfaction as a worker on producer-executive Chet Atkins’s “countrypolitan” assembly line. Only after he relocated to Austin in 1972 did he find his groove among the wide-open city’s cosmic cowboys. Flying the “outlaw country” banner, he morphed into the long-haired, dope-smoking, peripatetically touring Willie universally venerated today. Drawing on interviews with Nelson and his widely extended “family,” Patoski pulls together a rich narrative that keenly comprehends Nelson’s artistic and geographical perambulations. The author is especially fine in the early going, colorfully recalling Willie’s many years on the beer-joint circuit and the cast of sketchy characters who trod those hardwood floors. But Nelson doesn’t get any free passes: Patoski dwells in depth on his capriciousness, quick temper, hard-partying lifestyle, infidelities and four tempestuous marriages, as well as his headline-making ’90s tax case. The result is a warm, honest portrait of a compulsively footloose, restless artist at home in any musical style—country, Western swing, jazz, gospel, standard pop, reggae, even polka—and truly at home only on his tour bus.
Patoski’s profound understanding of Nelson’s life, character and milieu make this the Willie bio to get.Pub Date: April 21, 2008
ISBN: 978-0-316-01778-7
Page Count: 576
Publisher: Little, Brown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 2008
Categories: GENERAL NONFICTION | BIOGRAPHY & MEMOIR | ENTERTAINMENT, SPORTS & CELEBRITY
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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