A political satire wanders off course after a promising start.
A small city mayoral race takes some strange turns when a freakish creature dominates the race.
Former journalist Gray Davenport’s life is about as exciting as his nondescript name. Campaign consultant to a perennial also-ran who's floundering again in a three-man race for mayor of Grand River, a pollution-drenched West Coast city whose government is controlled by a cabal of shadowy businessmen, pulling the strings from the local gated community, he’s drowning in self-pity, not least because his marriage to an aspiring (if untalented) artist, fond of Jackson Pollock–like paint splatters, is crumbling. When Reason Wilder, an 8-foot-tall candidate who bears a striking resemblance to a famous 19th-century literary monster, captures the imagination of Grand River’s citizens, with his vaguely populist claims to offer “A way of the people. A way that reflects us all,” Gray sets out to unravel the mystery behind his appeal. That effort (and Gray’s emotional life) is complicated after the alluring Breeze Wellington, a marketing expert with a previous life as a porn star, appears in town and thrusts herself into a campaign that’s soon noteworthy for its deception and betrayal. Ponepinto’s (Curtain Calls, 2015) style doesn’t lack wit or an apt turn of phrase capable of evoking an audible chuckle, as when he describes the “astrologically-themed downtown grid” of Grand River that produces a street named “Cancer Boulevard,” but those talents only carry this uneven novel so far. There are sufficient twists to keep the plot energized, but the pallid protagonist eventually becomes more irritating than sympathetic. Ponepinto has some definite ideas about the flaws of the democratic process—notably, how easy it is to manipulate public opinion—but he wobbles between satirizing the shortcomings of political life and exploring the science-fiction elements of Reason’s existence, including the machinations of the corrupt genius who created him, without fully committing to either story. That structural flaw becomes especially apparent as the novel lurches toward its bizarre climax.
A political satire wanders off course after a promising start.Pub Date: March 7, 2018
ISBN: 978-0-9984092-4-5
Page Count: 300
Publisher: 7.13 Books
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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