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An All-American Family

An educational, entertaining look at how one family pursued the American dream.

Spring’s (American Education, 2011, etc.) first historical novel presents an alternative, somewhat sarcastic narrative of Native American history.

The tale of half-Choctaw, aging hippie John Brader’s search for his Native American roots opens with a well-crafted, albeit gory and violent, account of a slave killing by Choctaw leaders, including a Brader family ancestor. Spring, an education scholar at Queens College, doesn’t gloss over the unflattering side of Native American history, nor does he romanticize it; yet the book doesn’t quite give an equally balanced account of white Americans, whom the story regularly portrays as crass, uneducated, greedy capitalists. Spring’s characters convey the personal and communal toll of the Trail of Tears, the Choctaws’ decision to join the Confederacy during the Civil War, and how later attempts to turn Native Americans into citizens made them feel that they were “the plaything of the United States.” He capably demonstrates how both sides—Native Americans and whites—manipulated religion and education to achieve their ends. At times, though, the storytelling is uneven. The life-or-death consequences of Brader’s investigation—which adds a sense of mystery to the story—are only mentioned in passing and lack any sense of urgency. Nonetheless, the story lives up to its title, tracing the Brader family’s history from the early 19th century to the present, covering their involvement in slavery, commerce and civic affairs as well as rape, murder, homosexuality and questionable business practices. Spring also weaves in larger issues, such as intratribal racism, workers’ rights, the communist scare, civil rights, and the sex, drugs and rock ’n’ roll culture. That’s a lot of ground to cover, though it’s handled fairly well until the abrupt final chapter, which devolves into a cynical description of how John Brader ultimately uses his long-lost inheritance to develop a Disney-esque theme park. Given the depth of detail in the rest of the story, this fast-forward ending ties the loose ends together a little too quickly.

An educational, entertaining look at how one family pursued the American dream.

Pub Date: May 20, 2013

ISBN: 978-1482092134

Page Count: 342

Publisher: CreateSpace

Review Posted Online: July 30, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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