A surprisingly fresh, funny and fiery mystery that envelopes the reader in a uniquely colorful world.
In this novella, a young attorney risks his career and life to bring justice to his wrongfully accused clients—zombies, vampires and other arcane species shunned by society.
In this action-packed novel full of ironic, esoteric characters, Abramowitz spins a tale full of twists, turns and danger. Reversing the roles of so-called threats to society and defenders of public safety, Abramowitz creates a world where it is the inhuman creatures who must be protected from power-hungry district attorneys and supremacy groups that target innocent victims under the mask of heroism and protection. The novel touches on high concepts as Hunter Gamble, the book’s lead, works against the social biases and stereotypes that ultimately keep the justice system unjust. Not only does Gamble face the standard difficulties of trying to persuade a jury, police and court officials, but he must also build trust with his arcane clients who, in the beginning, place him in the group of lawyers who “wore suits and had sticks up [their] asses.” Abramowitz uses this complex dynamic to develop characters, their fears and ultimately their ambitions. Gamble’s ambition is large—he won’t stop until he saves an innocent client—but the goal is complicated when his young assistant, with whom he has a growing mutual endearment, is threatened and attacked by the Salvation Alliance, a group of vigilantes who use moblike tactics to target innocent creatures. Once his assistant and young client are attacked, Gamble knows his fight for justice will be larger than saving a few clients: He’s now up against the constructs that allow social inequality. Abramowitz writes with punchy dialogue, sonic action and vivid description. His characters sing, bellow, shout and stumble; one even flies through a public bathroom into a fancy gala, shattering the door behind her. There’s never a dull moment as Abramowitz earns his high-concept theme with tight dialogue and full characters who often display as many human vulnerabilities as they do supernatural abilities. Danger shadows each chapter and the courtroom battles will have the reader flipping pages in anticipation. Fortunately, the characters’ witty exchanges and Gamble’s inner monologue provide a measure of levity to the more intense scenes.
A surprisingly fresh, funny and fiery mystery that envelopes the reader in a uniquely colorful world.Pub Date: Nov. 19, 2011
ISBN: N/A
Page Count: 162
Publisher: Amazon Digital Services
Review Posted Online: May 30, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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