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FROM A TO X

A STORY IN LETTERS

Berger’s writing comes off as equal parts somber and exalted.

A novel comprised of a series of letters allegedly “recuperated” by Berger (Hold Everything Dear, 2007, etc.).

The letters were supposedly found in Cell 73 of a recently abandoned old prison, a cell that had formerly housed Xavier, a political prisoner—though in civilian life a mechanic—incarcerated for “being a founder member of a terrorist network, and serving two life sentences.” A’ida is deeply in love with Xavier, and her letters are filled with reflections on their relationship and on life in the town where she lives. They concentrate especially on her small circle of family and friends, and the people she meets in her profession as a pharmacist. Through her reminiscences we learn how she and Xavier met, and she relives through her letters the exhilaration of their early days together. We also witness how her relationship to Xavier deepens as she shares her observations and perceptions with her absent lover. Although Berger presents no correspondence from Xavier himself, we get the man’s voice through philosophical musings written by Xavier on the back of A’ida’s letters. While A’ida’s letters tend toward the lovingly personal (though she also “digresses” into speculations about the mind/brain/body problem), Xavier’s tend toward the political and put the nebulous actions for which he’s been imprisoned into a larger framework of injustice and oppression. Alluding to Lorca, for example, he comments: “The day that hunger disappears the world will see a spiritual explosion such as humanity has never known.” The tone of the novel ultimately becomes ever more ominous, and although planes begin to attack the village and some of A’ida’s friends are killed, her love is strengthened through her loss and suffering.

Berger’s writing comes off as equal parts somber and exalted.

Pub Date: Sept. 25, 2008

ISBN: 978-1-84467-288-2

Page Count: 200

Publisher: Verso

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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