An entertaining, well-researched foray into the life of a well-known but legend-layered outlaw.
A writer with a fascination for the storied crimes of the Wild West turns to the stagecoach robber of history and lore.
English-born Charles Boles had gone west seeking fortune, failed, returned to the Midwest in time to serve with distinction in the Battle of Vicksburg and Sherman’s March to the Sea, and then gone west again. Somewhere along the way, he decided it was less strenuous work to hold up stages, and so he did. As Boessenecker recounts, an early exploit was a robbery of a stagecoach on the twisty seaside road near Mendocino, California, where, according to some passengers, he told the driver, politely, “Please throw out the box and the mail bags.” Boles later left a taunting poem directed at Wells Fargo, the owner of the loot. The politeness and witty literacy—he had excelled in childhood in “reading, writing, and penmanship” as well as Bible study—of the unknown robber offered the local press a field day in recounting tales of the “gentleman bandit,” aka Black Bart. The outline of Boles’ career is well known. However, as Boessenecker observes, it’s so shot through with legend, courtesy of inventive journalists, that much of it is just plain wrong. The author helpfully corrects many of the myths—e.g., that a supposed run-in with a nefarious Wells Fargo agent had sent Boles careening off into a life of vengeful crime, when there’s no evidence to support the assertion. While serving up a lively account of Black Bart’s career, Boessenecker does the math to conclude that Boles committed 32 holdups—three, daringly, after he’d done time in San Quentin for the previous 29. Following that last blast, Boles disappeared in the late 1880s, never to be seen again, conjectured to be working mine claims in Mexico or ranching in Arizona. As Boessenecker concludes, “the fate of Black Bart, the poet highwayman, remains one of the great mysteries of the Wild West.”
An entertaining, well-researched foray into the life of a well-known but legend-layered outlaw.Pub Date: March 14, 2023
ISBN: 9781335449429
Page Count: 352
Publisher: Hanover Square Press
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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