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THE RED KNIGHT

Name: THE RED KNIGHT
Author: John Charles Corrigan
ISBN: 978-1-5255-1536-1

by John Charles Corrigan ‧ RELEASE DATE: Oct. 4, 2017

It’s hard to imagine a more comprehensive look at the Red Knight program—and at aerobatics in general.

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An exhaustive history of the Red Knight solo air show.

The titular aerobatics demonstration program began in 1958, the result of a propitious combination of historical variables. Just after World War II, the Royal Canadian Air Force was eager to show off its jet fighters and display its combat readiness to Canadian citizens and the world at large. Two significant anniversaries were fast approaching, furnishing the program with celebratory reasons to showcase its skills: the 50th anniversary of the first time that a Canadian flew a powered aircraft (1909) and the 35th anniversary of the RCAF itself (1924). Debut author Corrigan devoted a quarter-century to researching and writing this history, which charts with painstaking meticulousness the full 12 years of the program’s operation. The jet that it used was the Canadair T-33A, which was eventually painted with Day-Glo red paint to increase its visibility and help avoid collisions, which led a photographer to give it the moniker “Red Knight.” The show became increasingly popular; tens of thousands of spectators could attend a single demonstration, and it expanded to include additional planes and a tour of the United States. Although largely billed as entertainment, the low-altitude precision flying was extremely dangerous as well as physically grueling for the men in the cockpits—on three occasions, pilots died. Lt. Brian Alston was the last, and his accident in 1969 was the principal reason that the show was finally retired. Despite its brevity, this is a mesmerizingly detailed history—a fact that’s impressive and exasperating at the same time. Corrigan buries the reader under minutiae, which sometimes makes the book as a whole seem more like an encyclopedic reference work than a remembrance to be consumed all at once. However, his diligence will reward the truly interested reader, and his diagrams and illustrations are helpful, descriptive tools. Also, the author ably highlights the extraordinary physical demands that the flight missions made on the pilots; the centrifugal force of some of the more daring maneuvers was punishing, indeed.

It’s hard to imagine a more comprehensive look at the Red Knight program—and at aerobatics in general.

Pub Date: Oct. 4, 2017

ISBN: 978-1-5255-1536-1

Page Count: 386

Publisher: FriesenPress

Review Posted Online: Nov. 30, 2017

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

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by Kristin Hannah

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by Kristin Hannah

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THE GREAT ALONE
by Kristin Hannah

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.