After years of litigation between the publisher and Cheever's estate, this collection of 13 stories now in the public domain proves something of a disappointment. While Cheever fans will be grateful for a sampling of his juvenilia, others should be warned that these pieces are hardly typical of his best work. Most first appeared in the 30's and bear the marks of their time as well as the influence of Hemingway, Fitzgerald, and Depression fiction. The earliest stories, from small avant-garde magazines, stress atmosphere over character; they're bleak, abstract expressions of social jitters during an anxious era of poverty and decline. When Cheever begins to find a voice, his fictions become more convincing. A pre-Miller, post-Dreiser traveling shoe-salesman ("The Autobiography of a Drummer") laments his once thriving business. "In Passing" records Cheever's dissatisfaction with left-wing ideology as his young protagonist drifts through lean times. A number of stories deal with working women at turning points: a waitress who suddenly realizes how empty her routine is ("Bayonne"); a hard-working dancer, hired to lend legitimacy to a strip show, who loses herself in her stage persona ("The Princess"); a 52-year-old stripper who, with great dignity, shows she hasn't lost it ("The Teaser"); and a young nanny who reveals a surprisingly refined aesthetic sense ("The Opportunity"). Equally clever and in the same commercial vein are three stories from Collier's, all set on the fringes of high society in the world of horse-racing. With an O. Henryish twist, "His Young Wife" pits an older man against his wife's infatuation with a gambler her own age; "Saratoga" also testifies to the gambler's insatiable habits; and in "The Man She Loved," a socially ambitious dowager manque is determined that her daughter marry well. Cruel fate, not dysfunction, reigns in these clever narratives. At best, middle-brow fiction in the O'Hara-Cozzens mold.
Pub Date: March 1, 1994
ISBN: 0-89733-405-1
Page Count: 240
Publisher: Academy Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations,...
These nine casually interlocking stories, set in a familiar yet surreal contemporary world, overflow with the cerebral humor and fantastical plots that readers have come to expect from Oyeyemi (Boy Snow Bird, 2014).
The opener, "Books and Roses," sets the tone: stories within stories and a fittingly cockeyed view of Gaudi’s architecture as two women in Barcelona share their experiences in abandonment while searching for the loved ones who left them behind. Most of the volume takes place in England, with nods toward Eastern Europe. In " 'Sorry' Doesn’t Sweeten Her Tea," weight-loss clinician Anton becomes increasingly involved in raising his boyfriend’s two adolescent daughters, Aisha and Dayang, while fishsitting for a traveling friend. The story seems straightforward until Anton’s friend falls in long-distance love with a mystery woman who's entered his locked house without a key and Anton’s co-worker Tyche helps Aisha recover from a crisis in disillusionment by casting a spell from the Greek goddess Hecate. Tyche returns as a student puppeteer in "Is Your Blood as Red as This?," which layers creepy echoes of Pinocchio onto realistically genuine adolescent sexual confusion. Readers realize Tyche’s fellow students Radha and Myrna have ended up sexually happy-ever-after when they pop up in "Presence" to lend their shared apartment to a psychologist so she and her grief-counselor husband can carry out the ironically eponymous science-fiction experiment that forces the psychologist to accept the absences in her life. While Aisha appears as a filmmaker employing puppets in "Freddy Barrandov Checks…In?," Dayang stars as ingénue in "A Brief History of the Homely Wench Society," a post-feminist romantic comedy about warring men's and women’s societies at Cambridge. Several stories are pure fairy tale, like "Dornicka and the St. Martin’s Day Goose," a twisted take on "Little Red Riding Hood,” and "Drownings," in which good intentions defeat a murderous tyrant.
For all the portentous metaphors (keys and locks appear in every story) and all the convoluted and fabulist narrations, Oyeyemi’s stories are often cheerfully sentimental.Pub Date: March 8, 2016
ISBN: 978-1-59463-463-5
Page Count: 304
Publisher: Riverhead
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
A mixed bag of stories: some tired but several capable of poetically piercing the heart.
Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.
Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.
A mixed bag of stories: some tired but several capable of poetically piercing the heart.Pub Date: Feb. 25, 2020
ISBN: 978-1-982134-03-7
Page Count: 432
Publisher: Saga/Simon & Schuster
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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