Gardner surrenders his license for James Bond-ing to package a multi-generational saga about the Railtons, a spy family synonymous with British Intelligence and Security, whose undercover exploits herein stretch from 1909 to 1935 and who dash wonderfully about most of the civilized world. When General Sir William Arthur Railton VC KCB DSO, who made reconnaissance, fought and was wounded at the battle of Balaclava, dies in 1909, he leaves his inheritance to his son John rather than to his brother Giles, the family's wiliest and very deserving eldest member. Resolutely, Giles sets out like a Grand Master to navigate the family through this crisis. First off, Giles engineers John's younger brother Charles' befuddled transfer from the Diplomatic Service to Military Operations 5 (MO5), the newly born British Intelligence, staffed so far by only one officer and his clerk. This is the organization meant to weld Britain's espionage activities into one formidable force. But already the Fenians are penetrating the Railton family through Malcolm Railton's wife Bridget, from Dublin, while Gustav Steinhauer, new head of the Kaiser's vast spy system, is set on fulfilling Wilhelm's vision of the German Imperial Navy—and not Britannia—as master of the great oceans. All of the Railtons, of whom there are many, sooner or later wind up in Intelligence of one sort or another, even the wives, though Giles' family does not know of his full involvement in the purchase of British shares in the new Suez Canal, his dark works in India and Egypt, his secret sessions with the new revolutionaries Lenin and Trotsky. And yet it is Giles, who in the evening of his life, embraces a foreign ideology—has a personal Road-to-Damascus revelation about the power and wealth he was born into—and becomes through horrific betrayal "the first of the really great modern traitors." This is Gardner at his best. Here his quick brilliance at characterization and incredible density of anecdote and plot are far superior in tale-spinning elan to his strong start then fading interest in three appearances as Ian Fleming's glamorous ghost. The Railtons are his chef-d'oeuvre in the arts of melodrama, delicious in their adaptability to the varied countries they pass through, marvelously Byzantine as they begin spying on each other as well as on their enemies. A dynasty this strongly established is sure to return.
Pub Date: Nov. 21, 1985
ISBN: 0552124885
Page Count: 541
Publisher: Putnam
Review Posted Online: March 30, 2012
Kirkus Reviews Issue: Oct. 15, 1985
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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