by John Ed Bradley ‧ RELEASE DATE: Feb. 18, 2003
Good entertainment, with plenty of local color and an interesting take on southern art and mores.
New Orleans novelist and art collector Bradley (My Juliet, 2000, etc.) dogs the footsteps of an ex-reporter in trying to track down the whereabouts of a lost masterpiece.
The Yankees, who have dominated the art trade in the US, have never had much use for southerners—unless, of course, they moved up north—so it’s not very odd that Levette Asmore, one of the greatest New Orleans painters of the 20th century, is virtually unknown outside of his hometown. Orphaned during the Great Louisiana Flood of 1927, Asmore grew up in institutions and painted his first work (on a window shade) at age six. He later made a name for himself with his raw, highly sexualized depictions of black women but ruined his career when he painted a WPA post office mural that portrayed blacks dancing with whites. In 1930s New Orleans, this was beyond the pale, and in 1941 Asmore was forced to paint over his mural. He committed suicide not long after and fell into obscurity, remembered only by academics and serious connoisseurs. One of these is art restorer Rhys Goudreau, who many years later reads of the controversy surrounding the mural and becomes obsessed with finding it. She teams up on this quest with Jack Charbonnet, a former reporter from the Times-Picayune who is more interested in Rhys than Asmore. Like all good sleuths, though, Jack has a nose for the odd coincidence. What is the connection, for example, between Wiltz Lowenthal, who donated most of the Asmore collection to the local museum, and Jack’s landlord, Charles Lowenthal, a reclusive art collector who rarely leaves his house? And what is Jack to make of Rhys’s story of her half-black grandmother’s love affair with the white Asmore? Was there more to Asmore’s suicide than the destruction of his mural? What if it hadn’t been destroyed at all?
Good entertainment, with plenty of local color and an interesting take on southern art and mores.Pub Date: Feb. 18, 2003
ISBN: 0-385-50261-3
Page Count: 336
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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