Wideman’s recent work strides into the gap between fiction and nonfiction as a means of disclosing hard, painful, and...
In 1993, Wideman published a book called All Stories Are True, and this new collection represents both an affirmation of and a challenge to that claim.
The book's provocations begin with “A Prefatory Note” addressed to an unnamed president of the United States, asking when, or if, slavery will ever end, even with the 13th Amendment to the U.S. Constitution. (“Slavery as a social condition,” the letter states, “did not disappear….Skin color continues to separate some of us into a category as unforgiving as the label property stamped on a person.” The next story, “JB & FD,” reimagines, often to startlingly persuasive effect, the real-life transactions between the 19th-century black author/activist Frederick Douglass and the militant white abolitionist John Brown, whose bloody scourge against slavery climaxed with the deadly 1859 raid on Harpers Ferry. The voices of the two men, in correspondence and conversation, seem to blend in with each other even as they argue over tactics and ideology. Later in the book, Wideman (Writing to Save a Life, 2016, etc.) makes a bolder, riskier move by taking his own crack at the ill-fated insurgent slave Nat Turner’s confessions. In between, there are stories, or “stories,” such as “Maps and Ledgers,” in which the narrator recalls how his father’s murderous act upended his family’s perilous sense of harmony; “My Dead,” Wideman’s grim, haunting tally of “a bad ten months” during which he lost “a brother [and] a niece,” who joined other dead relatives from whom they received names and legacies; and “Williamsburg Bridge,” a digressive, quasi-surreal tour de force peering into the crowded mind of a man who’s both hesitant about and intent on diving into the East River. You can also find tips on storytelling (“Writing Teacher”) and even a review of the 2010 South Korean movie thriller The Yellow Sea that morphs into a meditation on the 2009 film Precious. You might, in other words, find this collection to be all over the place, and yet all of these pieces are linked by astringent wit, audacious invention, and a dry sensibility whose owner has for decades wrestled with what he describes as “the puzzle of how and why and where and who we come from.”
Wideman’s recent work strides into the gap between fiction and nonfiction as a means of disclosing hard, painful, and necessary truths.Pub Date: March 20, 2018
ISBN: 978-1-5011-7834-4
Page Count: 192
Publisher: Scribner
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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