The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally...
Affecting, on occasion surprisingly comic memoir about growing up with Asperger’s syndrome.
Those who have this autism spectrum disorder are often seen as weird, because of their odd mannerisms and expressions and their difficulties in talking to other people. But Asperger’s may also confer rare talents, such as the ability to focus intently and to think rapidly and creatively, notes the author, who wrote this text at the urging of younger brother Augusten Burroughs (Running with Scissors, 2002, etc.). A social misfit helped not at all by a battery of therapists, Robison admits that his behavior was decidedly disturbing, sometimes foolish and often dangerous. Asperger’s can lead to a life of isolation, but the author credits interested adults with drawing him out as a child and keeping him engaged with human beings. He dropped out of high school at age 15 and left home at 16, impelled by a troubled family situation (alcoholic father, mentally disturbed mother) into the working world. While people were a mystery to him, machines were not. He became a self-taught sound engineer for rock bands and later a designer of electronic toys. The discovery at age 40 that his strangeness had a name altered Robison’s view of himself, giving him a new confidence and enabling him to find more acceptable ways of coping with other people. He has learned to look them in the eye and even make small talk. His essays on choosing a wife and on naming people (he calls his spouse Unit Two, because she’s a middle sister) suggest that the prankster in him still lives, but they also demonstrate the oddness of the Asperger’s mind. Chapters on his son and on his late discovery of friendship are truly moving.
The view from inside this little-understood disorder offers both cold comfort and real hope, which makes it an exceptionally useful contribution to the literature.Pub Date: Sept. 1, 2007
ISBN: 978-0-307-39598-6
Page Count: 304
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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