by John Farris ‧ RELEASE DATE: July 23, 1997
Serial-kidnapper psychodrama set in the privileged precincts of the very wealthy, by the ever assured Farris (Dragonfly, 1995, etc.), a master of pitch-perfect dialogue be it backcountry or Manhattan art world. Some suspense novelists, like Farris and Dean Koontz, have such density of knowledge about the physical world that entertaining trash becomes brilliantly real. Photographic sentences dwell on extreme sensations and thoughts, as well as on the obsessive musings of those who know too much about ``the dynamics of hell'' and about the moment when horror overwhelms one and ``images of sublime beauty [become] thorns in the eye, great music discordant, and innocent laughter [raises] blisters on the heart.'' Here, six women, all with singular physical flaws, have disappeared without a trace. All of them knew charismatic, wealthy architect Dix Trevellian, and Coleman Dane of the Justice Department thinks Trevellian has murdered all six, including his own beautiful sister, Felicia Dane, who was partly crippled. Dix, though, has passed a polygraph test. Is the killer then Dix's schizo brother Scott, who carries on imaginary conversations with all of the lost victims? Or perhaps psycho Dempsey Wingo, made murderous with jealousy by his ex-wife, Dix's sister Esther? And what about Esther, the billionaire sister from hell and her semi-incestuous three-way bed frolics with Dix? Dane hires West Point grad, ex-CID, and Military Police officer Sharon Norbeth (daughter of a Medal of Honor winner), now retired on a pension but still a first-class sleuth, to investigate, hoping that her prosthetic hand will lure the kidnapper. Sharon is also a talented if quirky painter, and Dane has a top Manhattan art dealer set up a show for her that will attract the vanisher. Will Sharon wind up sandwiched between Esther and Dix, before disappearing? Like the summer's action flicks: marvelous visuals, little substance.
Pub Date: July 23, 1997
ISBN: 0-312-85375-0
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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