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FREEMAN'S

CALIFORNIA

In this collection, California in all its glorious complexity comes vividly to life.

John Freeman understands California.

Freeman was raised in Sacramento, and his sensibility is personal but also collective in the sense that he has thought deeply about the state. “California,” he writes in his introduction to this sixth issue of his eponymous literary journal, “has for a long time been seen as the Valhalla of far-flung dreams.…California is also, however, the site of real people’s homes.…This schism—between what California represents in popular imagination and what it is, what it means to live there, to be from there—means Californians collide constantly with the rupture of existence.” Such a notion animates the 30 pieces of prose and poetry gathered here. The work is wide-ranging, by newcomers and established talents: Xuan Juliana Wang, Elaine Castillo, Frank Bidart, D.A. Powell. It tells the story of California in pieces, which is the only way it can be told. Jaime Cortez writes of fire and evacuation: “It occurs to me that in unison, millions of us are inhaling the sofas and ottomans of Paradise, the cars and gas stations of it, the trees and lawns, the clothes and detergent, the wedding pictures and divorce papers, the cadavers.” Héctor Tobar imagines a boy left alone so often by his working mother that she no longer needs to warn him, “Don’t turn on the stove or play with matches. Don’t open the door if anyone knocks. Don’t play with the electrical plugs.” Both writers are addressing what we might call ordinary peril—or more accurately, the necessity of doing what we have to do. Such a requirement sits at the center of California life. Some of the work touches on the broader myths by which the state is often stereotyped: Jennifer Egan on post-1960s San Francisco, Geoff Dyer on cannabis culture, Rachel Kushner on cars. But even here, the focus is on the idiosyncratic, the individual, rather than on the cliché. “We have not talked about your transcendence,” former poet laureate Juan Felipe Herrera insists in “California Brown,” a poem that recapitulates, in part, the state’s virulent racial history, “we have not talked about the forces of power / ripped into your bones & flamed out of your face.” The point—or one of them—is that, in California, one must learn to persevere.

In this collection, California in all its glorious complexity comes vividly to life.

Pub Date: Oct. 8, 2019

ISBN: 978-0-8021-4787-5

Page Count: 304

Publisher: Grove

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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