edited by John Freeman ‧ RELEASE DATE: Oct. 8, 2019
In this collection, California in all its glorious complexity comes vividly to life.
John Freeman understands California.
Freeman was raised in Sacramento, and his sensibility is personal but also collective in the sense that he has thought deeply about the state. “California,” he writes in his introduction to this sixth issue of his eponymous literary journal, “has for a long time been seen as the Valhalla of far-flung dreams.…California is also, however, the site of real people’s homes.…This schism—between what California represents in popular imagination and what it is, what it means to live there, to be from there—means Californians collide constantly with the rupture of existence.” Such a notion animates the 30 pieces of prose and poetry gathered here. The work is wide-ranging, by newcomers and established talents: Xuan Juliana Wang, Elaine Castillo, Frank Bidart, D.A. Powell. It tells the story of California in pieces, which is the only way it can be told. Jaime Cortez writes of fire and evacuation: “It occurs to me that in unison, millions of us are inhaling the sofas and ottomans of Paradise, the cars and gas stations of it, the trees and lawns, the clothes and detergent, the wedding pictures and divorce papers, the cadavers.” Héctor Tobar imagines a boy left alone so often by his working mother that she no longer needs to warn him, “Don’t turn on the stove or play with matches. Don’t open the door if anyone knocks. Don’t play with the electrical plugs.” Both writers are addressing what we might call ordinary peril—or more accurately, the necessity of doing what we have to do. Such a requirement sits at the center of California life. Some of the work touches on the broader myths by which the state is often stereotyped: Jennifer Egan on post-1960s San Francisco, Geoff Dyer on cannabis culture, Rachel Kushner on cars. But even here, the focus is on the idiosyncratic, the individual, rather than on the cliché. “We have not talked about your transcendence,” former poet laureate Juan Felipe Herrera insists in “California Brown,” a poem that recapitulates, in part, the state’s virulent racial history, “we have not talked about the forces of power / ripped into your bones & flamed out of your face.” The point—or one of them—is that, in California, one must learn to persevere.
In this collection, California in all its glorious complexity comes vividly to life.Pub Date: Oct. 8, 2019
ISBN: 978-0-8021-4787-5
Page Count: 304
Publisher: Grove
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Share your opinion of this book
More by John Freeman
BOOK REVIEW
edited by John Freeman
BOOK REVIEW
edited by John Freeman
BOOK REVIEW
edited by Tracy K. Smith & John Freeman
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Share your opinion of this book
More by Harper Lee
BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Share your opinion of this book
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.