A promising success story loses its way following a disturbing revelation.
Geen recalls his progression from farm boy to management positions in various telephone companies in this frank if disconcerting debut memoir.
The author was born in 1933, and was raised on a “poor Ontario farm.” After addressing his relationship with God, the opening of Geen’s memoir describes his childhood thrills and spills, from his first crush to a sledding accident which damaged his front teeth. By the age of 17, the author set out to find prosperity, signing on to a wheat-harvesting excursion to western Canada. He later found work in a telephone exchange, which heralded the dawn of a successful career. As part of a telephone installation crew, his work took him away from home to remote parts of Canada; after Geen became a father, his wife, Nora, begged him to get off the road. The author proceeds to describe his strained marriage and his infidelities while working away from home, charting his progress to being named installation manager of the Upstate New York Telephone Company. He also recalls his retirement from the industry, followed by a period working in real estate. Geen’s memoir starts out as an affable and inspirational rags-to-riches story interspersed with spiritual reflections. It is written in a casual, conversational style that can raise a chuckle with its blunt honesty: “Once I peed out of the gable window of the woodshed. Someone saw me; someone snitched; I was punished by detention.” The memoir takes a dark turn when Geen describes sexually abusing a 15-year-old babysitter—readers will wonder why the author chose to describe the act in salacious detail. Geen often attempts to justify his actions by drawing on religion; in this case, he writes: “The Mother of Jesus gave birth at the age of fourteen… The father of Jesus could therefore have been proclaimed a pedophile. While I carry the guilt of this evil, reprehensible act with me forever, I feel I have been in good company.” This mildly remorseful, unsavory logic will deter many from reading further. For those who persist, the memoir bogs down in the dry process of chronicling the author’s various installation assignments and promotions.
A promising success story loses its way following a disturbing revelation.Pub Date: Nov. 25, 2022
ISBN: 978-1489745064
Page Count: 346
Publisher: Liferich
Review Posted Online: July 31, 2023
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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