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THE ANTHROPOCENE REVIEWED

ESSAYS ON A HUMAN-CENTERED PLANET

A grab bag, but one that repays reading and reflection and a pleasure throughout despite occasionally dark moments.

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The bestselling author offers a miscellany of essays on life and letters in an environmentally fraught time.

Green, who admits to a certain amount of OCD, opens charmingly with a telling instance: It took him 30 days to create a path through the woods behind his Indianapolis home to reach a treehouse less than a minute away: “It took me a month to build a fifty-eight-second walk in the woods.” He might well have conjured the critic Morse Peckham, who once observed that a futile activity isn’t so futile if it puts off recognizing its own futility. It’s one of few bookish allusions Green misses in this pleasing book of essays personal and cultural. The author notes that we are at a moment when everything is rated thanks to the pernicious influences of Amazon and Yelp and such; Green calls a bout of labyrinthitis “an unambiguously one-star experience.” The ratings continue: He gives humankind a four-star chance of surviving the present era of mounting catastrophes, the Anthropocene. His register of references is far-ranging. Among dozens of other topics, he discusses Shakespearean evocations of clouds, the origins of the “pathetic fallacy” in the writings of John Ruskin, and the world’s largest ball of paint, which can be found not far from Green’s home. There are fine moments throughout, as when the author writes appreciatively of Indianapolis as a place he loves “precisely because it isn’t easy to love” or when he ponders the social basis of genius, by which artists such as Michelangelo flourished because others were making advances in the study of human anatomy and Julius Caesar “became a dictator because…over time the empire’s soldiers felt more loyalty to their military leaders than to their civilian ones.” In a treat for die-hard fans, each copy from the first print run will be signed by the author.

A grab bag, but one that repays reading and reflection and a pleasure throughout despite occasionally dark moments.

Pub Date: May 18, 2021

ISBN: 978-0-525-55521-6

Page Count: 304

Publisher: Dutton

Review Posted Online: May 17, 2021

Kirkus Reviews Issue: June 1, 2021

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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