Fans—and Grisham has endless numbers of them—will be pleased.
The prolific Grisham (The Reckoning, 2018, etc.) turns in another skillfully told procedural.
Pay attention to the clerical collar that Cullen Post occasionally dons in Grisham’s latest legal thriller. Post comes by the garb honestly, being both priest and investigative lawyer, his Guardian Ministries devoted to freeing inmates who have been wrongly imprisoned. Says an adversary at the start of the book, learning that his conviction is about to be overturned, “Is this a joke, Post?” Post replies: “Oh sure. Nothing but laughs over here on death row.” Aided by an Atlantan whom he sprang from the slam earlier, Post turns his energies to trying to do the same for Quincy Miller, a black man imprisoned for the murder of a white Florida lawyer who “had been shot twice in the head with a 12-gauge shotgun, and there wasn’t much left of his face.” It’s to such icky details that Post’s meticulous mind turns: Why a shotgun and not a pistol, as most break-ins involve? Who would have done such a thing—surely not the guy's wife, and surely not for a measly $2 million in life insurance? As Grisham strews the path with red herrings, Post, though warned off by a smart forensic scientist, begins to sniff out clues that point to a culprit closer to the courtroom bench than the sandy back roads of rural Florida. Grisham populates his yarn with occasionally goofy details—a prosecuting attorney wants Post disbarred “for borrowing a pubic hair” from the evidence in a case—but his message is constant throughout: The “innocent people rotting away in prison” whom Post champions are there because they are black and brown, put there by mostly white jurors, and the real perp “knew that a black guy in a white town would be much easier to convict.” The tale is long and sometimes plods, especially in its courtroom scenes, but it has a satisfying payoff—and look out for that collar at the end.
Fans—and Grisham has endless numbers of them—will be pleased.Pub Date: Oct. 15, 2019
ISBN: 978-0-385-54418-4
Page Count: 384
Publisher: Doubleday
Review Posted Online: Nov. 24, 2019
With its shaky armchair psychology and excessive plot threads, this is a series low point.
A teenager with a troubled past becomes the prime suspect in a string of brutal murders, but ex–FBI profiler Pierce Quincy and his partner, Rainie Conner, think there’s more to the story.
For the past three years, Pierce and Rainie have fostered Sharlah Nash, now 13, with the hope of soon adopting her. Sharlah’s childhood is the epitome of troubled: when she was 5, her drug-addict father killed her mother and then tried to kill her and her older brother, Telly, but Telly, then 9, bashed his head in with a baseball bat. The siblings were fostered apart, with Sharlah ending up with Pierce and Rainie, whose expertise as parents seems to come from their combined resumes as a former criminal profiler and cop, respectively. Telly, we learn in expansive flashbacks from the now-teenager’s point of view (Sharlah has her own, crowding an already packed narrative), bounced around before landing, age 17, with Frank and Sandra Duvall, a kind couple who are obviously not what they seem. In what appears to be an explosion of unexplained rage, Telly allegedly murders the Duvalls and then kills two people in a gas station before heading off into the Oregon woods, sparking a manhunt and fears that he’s coming after Sharlah. Pierce and Rainie (last seen in Say Goodbye, 2008) work with local law enforcement to build a psychological profile of the teen—which is questionable given the excessive amount of guesswork and second- and thirdhand information used—while trying to protect their daughter from harm.
With its shaky armchair psychology and excessive plot threads, this is a series low point.Pub Date: Jan. 31, 2017
ISBN: 978-0-525-95458-3
Page Count: 400
Publisher: Dutton
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
This caustic passion play may not knock your socks off, but Fargo is an author to watch.
The theater is a tempestuous, bloody place to be in Fargo’s prickly debut.
The struggle is real for 30-something stage actress Kira Rascher. She lives hand to mouth with her best friend (with benefits), Spence, works a day job she hates, and auditions for theater roles every chance she gets. She longs to star opposite the enigmatic Malcolm Mercer, who runs Chicago’s Indifferent Honest Theater Company alongside his partner, and platonic roommate, Joanna Cuyler. Auditioning for Malcom for a new two-person play called Temper is a visceral experience, but not just for Kira. Joanna hates Kira on sight, pointing out that “she’s beautiful, to be sure, but in an obvious way. Nearly vulgur.” Kira gets the part, opposite Malcolm, and to say the two have chemistry would be an understatement. The script is very physical, and Malcolm is a merciless taskmaster willing to go to ridiculous lengths to squeeze the best from his actors, including inviting Kira’s horrid, simpering ex-boyfriend to rehearsal as a tactic to stoke her rage. Meanwhile, the self-contained Joanna stews in a brew of jealousy and wasted opportunity, doing all the grunt work for the company while the odious Malcolm stirs the pot and beds his co-stars. All this tension would drive anyone crazy, but for these two women, it’s bound to get messy. Fargo’s propulsive writing style and Joanna's and Kira’s dueling narratives drive the increasingly frenzied chain of events that play out in the lives of two very different women who find themselves at an inevitable breaking point. While certainly effective, the finale isn’t shocking, especially after getting an eyeful of two otherwise intelligent women seething under the toxic spell of such an insufferable man.
This caustic passion play may not knock your socks off, but Fargo is an author to watch.Pub Date: July 2, 2019
ISBN: 978-1-9821-0672-0
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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