An artfully rendered, suspenseful look at an imaginary turn in Nixon’s presidency.
A historical novel that cleverly postulates an alternate reality in which President Richard Nixon refuses to resign.
The author, former chief of staff to Nixon, is well-positioned to pen a novel based on Nixon’s drama-ridden presidency. Taylor’s (Patterns of Abuse, 1988) second book follows the events on the day Nixon announced his intention to vacate the White House in 1974. In this version, without informing his closest advisers, Nixon decides to remain in the Oval Office. In order to properly defend himself against his Watergate accusers, the president invokes the 25th Amendment, which allows him to temporarily hand over his executive powers to Vice President Gerald Ford. Only one person, an unheralded and green staffer, Emily Weissman, seems to be in the know; Nixon asked her to help him craft his bombshell remarks. What ensues is the chaos that often accompanies uncertainty. Will Nixon’s unprecedented transfer of power generate the appearance of national weakness, potentially emboldening North Vietnam to defy a standing peace accord with the South? Will a battered Republican Party, likely to lose even more ground in the upcoming congressional elections, be further demoralized or find renewal in Nixon’s intransigence? Even mundane practical matters seem difficult to settle decisively: Does the Constitution mandate that Ford be sworn in? Emily, a staunch Nixon loyalist, is the beating heart of the narrative, rising to the challenge of history-making. And to complicate matters, she falls for a calculating Reagan operative who takes the other side in an internecine war brewing within the Republican Party. The prose is razor-sharp and historically astute, and the dialogue is crisp and witty. Consider this gem from the staff secretary at the National Security Council; he’s talking to the White House operator after Nixon handed the baton to Ford: “ ‘This is Mr. Szabados at the NSC. May I please speak with the president?’ ‘Which one?’ she said. ‘The one who bombed Cambodia.’ ”
An artfully rendered, suspenseful look at an imaginary turn in Nixon’s presidency.Pub Date: July 17, 2014
ISBN: 978-1499530834
Page Count: 312
Publisher: CreateSpace
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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