by John Henry Hardy ‧ RELEASE DATE: July 30, 2015
An engrossing portrayal of war, unfortunately bogged down by a welter of parallel plots.
This second novel in a trilogy follows three Americans wrestling with the horror of the Vietnam War.
Norman Coddington, an ace fighter pilot in Vietnam, falls deeply in love with a Filipina nurse, Barbara Mandera. He struggles to fully give his heart to her, filled with fear of both commitment and rejection. He also knows his cold mother will never accept a daughter-in-law who isn’t white, and marrying Barbara might jeopardize his considerable inheritance. Barbara has anxieties of her own: born into an impoverished family, she was a prostitute and a sex slave before fleeing a sadistic American husband to attend nursing school. She changed her name, and told Norman she comes from a respectable middle-class family, but her murderous ex-husband is intent on tracking her down. Cathy Addison, Barbara’s best friend and fellow nurse, is also endangered by this relentless predator. Cathy’s grim experiences as a combat nurse provide some of the more realistic glimpses into the gritty ravages of war, and the heavy emotional toll such a relentless spectacle exacts. Cathy is engaged to Dion Murphy, a lieutenant in the Marines, who has disappeared and is hunted by a prolific enemy sniper, Ngu Gin. Meanwhile, one of Dion’s best soldiers, Pvt. First Class Randy Peterson, inadvertently reveals sensitive data to an enemy agent disguised as a prostitute. While some information from the first volume is revisited here, this novel is best read as a sequel to its predecessor, rather than a stand-alone story. Hardy (Whisper In My Ear, 2015, etc.) deftly plumbs the darker aspects of war, shorn of romanticizing sentimentality. And this second volume allows him ample opportunity to layer the three main characters—Dion, Cathy, and Norm—with even greater depth. The writing can be haltingly earnest, especially when juxtaposed with such unflinchingly realistic depictions of violence. In anger, Norm thinks to himself: “Those bastards are trying to kill the only woman I ever loved and the dozens of other caregivers who work there, not to mention the sick and wounded, and they may have already murdered Dan too!” Additionally, like the first volume, this book is needlessly long, and the multiple subplots, developed too slowly, will likely weary the reader. But for those who enjoyed the first installment, there’s still plenty of riveting action here, and an artful reprisal of the principals.
An engrossing portrayal of war, unfortunately bogged down by a welter of parallel plots.Pub Date: July 30, 2015
ISBN: 978-1-5148-0101-7
Page Count: 420
Publisher: CreateSpace
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
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BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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