by John Henry Hardy ‧ RELEASE DATE: July 30, 2015
An engrossing portrayal of war, unfortunately bogged down by a welter of parallel plots.
This second novel in a trilogy follows three Americans wrestling with the horror of the Vietnam War.
Norman Coddington, an ace fighter pilot in Vietnam, falls deeply in love with a Filipina nurse, Barbara Mandera. He struggles to fully give his heart to her, filled with fear of both commitment and rejection. He also knows his cold mother will never accept a daughter-in-law who isn’t white, and marrying Barbara might jeopardize his considerable inheritance. Barbara has anxieties of her own: born into an impoverished family, she was a prostitute and a sex slave before fleeing a sadistic American husband to attend nursing school. She changed her name, and told Norman she comes from a respectable middle-class family, but her murderous ex-husband is intent on tracking her down. Cathy Addison, Barbara’s best friend and fellow nurse, is also endangered by this relentless predator. Cathy’s grim experiences as a combat nurse provide some of the more realistic glimpses into the gritty ravages of war, and the heavy emotional toll such a relentless spectacle exacts. Cathy is engaged to Dion Murphy, a lieutenant in the Marines, who has disappeared and is hunted by a prolific enemy sniper, Ngu Gin. Meanwhile, one of Dion’s best soldiers, Pvt. First Class Randy Peterson, inadvertently reveals sensitive data to an enemy agent disguised as a prostitute. While some information from the first volume is revisited here, this novel is best read as a sequel to its predecessor, rather than a stand-alone story. Hardy (Whisper In My Ear, 2015, etc.) deftly plumbs the darker aspects of war, shorn of romanticizing sentimentality. And this second volume allows him ample opportunity to layer the three main characters—Dion, Cathy, and Norm—with even greater depth. The writing can be haltingly earnest, especially when juxtaposed with such unflinchingly realistic depictions of violence. In anger, Norm thinks to himself: “Those bastards are trying to kill the only woman I ever loved and the dozens of other caregivers who work there, not to mention the sick and wounded, and they may have already murdered Dan too!” Additionally, like the first volume, this book is needlessly long, and the multiple subplots, developed too slowly, will likely weary the reader. But for those who enjoyed the first installment, there’s still plenty of riveting action here, and an artful reprisal of the principals.
An engrossing portrayal of war, unfortunately bogged down by a welter of parallel plots.Pub Date: July 30, 2015
ISBN: 978-1-5148-0101-7
Page Count: 420
Publisher: CreateSpace
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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