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WHEN BROTHERS MEET

An intense, sometimes-disturbing story about a disastrous American future.

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In 2041, the United States goes to war with China in Hardy’s (The Place Where the Giant Fell, 2016, etc.) action-packed novel.

President Constance Higgins is in a quandary. After a socialist presidential administration, the country is $32 trillion in debt, so the government is forced to seek financial aid from foreign nations. China demands repayment of its debt in gold, but Higgins refuses. Meanwhile, U.S. intelligence operatives intercept a strange transmission that mentions something called “Operation Dragon.” At a summit, China and other powerful nations inform Higgins that all the country’s debts will be cleared—if she gives them ownership of land in California that will enable them to take control of the world’s oil supply. Soon, further chaos and war erupts. Another plotline involves brothers Mike and Sean Dalton, the sons of President Higgins’ best friend, Maria. Mike puts Sean in the hospital in retaliation for upsetting his girlfriend, Kyla MacGregor, but then Sean escapes and disappears. Later, Kyla is drugged, raped, and impregnated by an intruder while Mike, a U.S. Army lieutenant, is away at war. As he fights for his own survival, he realizes that Sean’s whereabouts might be closer than he assumed. This novel effectively encapsulates the difficulty of wartime, both for those on the front line and for the decision-makers in the government. Specifically, Hardy depicts the emotional bonds between people in crisis; for example, President Higgins and Secretary of Defense John Mahood are shown to be able to work together, despite their differing opinions. However, some parts of the book espouse an anti-immigration philosophy, which some readers may find jarring: “illegal aliens living in the United States would remain loyal to Mexico....They were sucking the American economy dry of its treasure, usurping jobs, and sending the money back home.”

An intense, sometimes-disturbing story about a disastrous American future.

Pub Date: March 22, 2017

ISBN: 978-1-5413-8434-7

Page Count: 160

Publisher: CreateSpace

Review Posted Online: May 17, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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