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A PRAYER FOR OWEN MEANY

Irving's novels, which often begin in autobiographical commonplace, get transformed along the way: sometimes into fairy tale (The Hotel New Hampshire), sometimes into modern-day ironic fable (The World According to Garp). This one—set in New Hampshire in the 50's and 60's—is a little of both, but not enough of either: its tone is finally too self-righteous to be fully convincing as fiction. In 1953, Owen Meany—a physically tiny man with a big voice who believes he's God's instrument—kills his best friend's mother with a foul ball. His best friend, Johnny Wheelwright, is the book's narrator: from Toronto, where he has lived for some 20 odd years, he tells the story of Owen Meany, who has a voice that "comes from God," of his own "Father Hunt"—Wheelwright is the product of his mother's "little fling"—and of growing up in the Sixties, when some people believed in destiny, others in coincidence. Sweetly moralistic, Wheelwright, who became "a Christian because of Owen Meany," sometimes launches into tirades about Reagan and the Iran/contra fiasco, but mostly he tells Owen's story: Meany, who always writes and speaks in the uppercase, is the real mouthpiece here, though Wheelwright is his Nick Carraway. Meany, after hitting "that fated baseball," no longer believes in accidents: his parents, in the granite business, convince him that he's the product of a virgin birth (we learn late in the book). His sense of destiny serves him well: not only does he play the Christ child in a Christmas pageant and the Ghost of Christmas Yet to Come, but his pontificating "Voice" becomes a great power at the prep school he attends with Johnny (there are some marvelous sendups of prep school), and he "sees" the circumstances and the date of his own death. After much inventive detail (as well as much slapstick and whimsy dealing with Meany's tiny size and strange voice) and the working-out of a three-way relationship involving Meany, Johnny, and his cousin Hester, Meany saws off Johnny's finger in order to keep him out of Vietnam, dies as he foresaw, and reveals to Johnny from beyond the grave that the local Congregationalist minister is his real father. Vintage Irving—though here Dickensian coincidence, an Irving staple, becomes the subject of the book rather than a technique. The result is a novel that seems sincere but turns too bombastic and insistent in its opinions about literature, religion, and politics.

Pub Date: March 30, 1989

ISBN: 0679642595

Page Count: -

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1989

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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