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THE LAST LIEUTENANT

The fact-based epic of an unconquerable WW II skipper's determination to escape the surrender of Corregidorpublished to coincide with the 50th anniversary of V-J Day. The Pacific theater, 1942. As Japanese Zeroes fire round after punishing round at the tiny Philippine island, Admiral Nimitz plans a counterstrike based on his cryptographers' success in cracking the Japanese military code: Knowing that Admiral Yamamoto plans to attack Midway on Emperor Hirohito's birthday, Nimitz will lure the Japanese Navy into a trap. Taking his cue from Lt. Cmdr. John H. Morrill's 1943 memoir South from Corregidor, Gobbell unfolds the tale of Lt. Todd Ingram, who commandeers a tiny boat in the last hours of the Japanese bombardment in defiance of the order to surrender. Ingram can't afford to be taken because only he knows that Cryptographer Walter Radtke is actually an Axis spy who's learned of Nimitz's trap and intends to pass the information on to Lt. Kiyoshi Tuga as soon as he can find his way to an unattended radio. Casting off from Corregidor in pursuit of Radtke against a frightful background of din and death, Ingram steams into nonstop actionand that's just the trouble with this sturdy, cluttered novel. Gobbell (The Brutus Lie, not reviewed) wants to paint the Pacific War in precise, unsparing strokes, making every shot resound while keeping his eye on Ingram's and Radtke's high- stakes game. But he's more successful at the first endeavor than the second, and less successful still at giving his heroic characters any depth or distinguishing features. The Axis rant and rape like the Yellow Peril in a propaganda short, and poor Ingram can't ``think of a worse combination than the hideous political systems [Radtke and Tuga] represented.'' Lacking Frederick Forsyth's alchemical ability to transform the minutiae of military intrigue into high-voltage suspense, Gobbell is left with a million dramatic details that never quite catch fire.

Pub Date: Aug. 14, 1995

ISBN: 0-312-13108-9

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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