The talented Nance, an air safety analyst, retired Air Force pilot, and civilian 737 pilot for a major airline, here keeps the tension as high and nasty as in his last two airborne thrillers, The Last Hostage (1998) and Medusa’s Child (1997). It all begins when SeaAir Flight 122 crashes over the Gulf of Mexico, a crash as inexplicable as the recent sudden loss of an Egypt Airlines plane. Meanwhile, in Hong Kong, FBI Special Agent Kat Bronsky, who has just given a talk at an airline counterterrorist panel, is heading back to the States when Robert McCabe, investigative reporter for the Washington Post, implores her to listen to a tale of murder that he believes involves terrorists. They board a 747 to fly back to the States together, but Kat is called off the plane by her boss and ordered to stay in Hong Kong. The 747 is two hours out into its flight when a white flash explodes before the cockpit, killing the pilot and blinding the copilot. Although the automatic pilot helps, there’s no one to fly or land the plane'and some amusing humor about Leslie Nielson’s air-disaster movies arises. McCabe and various passengers, none of them licensed pilots, gather in the cockpit to help the blind pilot turn back to Hong Kong and attempt to land. But they fail, taking out a control tower, and must now fly their radio- and radar-disabled plane to Thailand through lightning storms and other deviltries. Among the pilot’s new aides are a lippy 14-year-old boy, who becomes the hands-on pilot, and an unsinkable Kathy Bates/Molly Brown character, Dallas Nielson (yes, Nielson). Airborne, Nance’s hand for crackling intensity remains peerless. Once on the ground, the standard figures of melodrama emerge in the forms of deep-dyed villains, law-enforcement fieldworkers, and the harassed US president. If this saga is ever filmed, the screenwriter should toss its second half.
Pub Date: Feb. 7, 2000
ISBN: 0-399-14594-X
Page Count: 430
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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