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WARREN BEATTY

THE LAST GREAT LOVER OF HOLLYWOOD

The author of Five for Hollywood (1991) comes up with a galloping, hard-breathing bio of Beatty that recycles the gossip about his love life against the plots of his films. Parker here offers a wavering image that may well resemble Warren Beatty. Unlike close buddy Jack Nicholson (also the subject of a Parker bio), Beatty never sits for Rolling Stone profiles—and it wouldn't matter if he did, since all his interviews are masterpieces of smokespeak in which he absorbs questions like a black hole, taking in matter but giving off no light. His first major Hollywood romance, Joan Collins, however, has much to say, though largely through Parker's rehashes of her autobiography, Past Imperfect. A seeming interview with early Beatty lover Leslie Caron also sounds suspiciously literary: ``[Method acting] happened as with the Impressionists who all have a common denominator in their painting...This school of acting was first created by Stanislavski, director of the Moscow Arts Theatre''—and so on. Parker takes us through all the headline affairs: with Natalie Wood (separated from husband Robert Wagner), Julie Christie, Diane Keaton, Michelle Phillips, Madonna, and Annette Bening, his wife and mother of his only child. Though Beatty's performances were always interesting and based in a discriminating choice of roles, he had to overcome a longstanding pretty-boy image to win critical favor by starring in and directing and/or producing Bonnie and Clyde (which rose above a bad press to become a smash hit), Shampoo, Heaven Can Wait, Reds—for which he won a directing Oscar—Dick Tracy, and Bugsy, among others. No sensational revelations here: just the glitz behind the tinsel.

Pub Date: April 15, 1994

ISBN: 0-7867-0072-6

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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