A meandering, unrelentingly bleak read but one which rewards patient readers with an authentic slice of the hard life.
A collection of tough fiction set in the poverty-stricken streets of southern Colorado.
Relles “Manito” Ortiz (“the only Ortiz worth a damn”) is one of a crew of “little mocos” in foster care, living in Huerfano County, Colorado, and intermittently earning their keep in the onion fields of New Mexico. Manito’s journey from ragamuffin street kid to damaged adult is peppered with digressions into the lives of others in the ragtag community: his cousin Bea, who, in the words of her aunt, will likely end up either “dead or pregnant”; Ray “Cornbread” Vigil, Bea’s estranged father, a career criminal and local legend; Neto, Manito’s alcoholic wastrel of an uncle; and Manito’s grandfather Santiago, whose determination to hold his extended family together is threatened when he beats down a razor-packing drunk. Their stories interweave over decades: there are births, backyard weddings, and deaths from natural and unnatural causes. Grinding poverty, stretches in prison, and military service are perennial events, and the struggle to rise above the poverty line is more often than not stymied by circumstance and self-destructive behavior, with happy endings defined more by stability than status. Jaramillo’s (The House of Order, 2011) second novel in stories builds on his debut collection, and fans of that work will likely find much to enjoy here. His writing is crisp, concise, and realistic, with a gimlet eye for the details of his characters’ grim existences. This sense of focus doesn’t extend to the wider structure, however; overall, the work feels less like a novel in stories than it does a collection of flash fiction, prone to digressions without resolution. Some readers may struggle to see beyond its litany of misery and abuse or pine for a novel in which Manito and Bea are the focal characters instead of lost in a sea of other stories. Then again, its sprawling, excursive style, similar to that of the raconteurs it portrays, may be entirely the point.
A meandering, unrelentingly bleak read but one which rewards patient readers with an authentic slice of the hard life.Pub Date: June 25, 2017
ISBN: 978-0-9987057-1-2
Page Count: 179
Publisher: Twelve Winters Press
Review Posted Online: Oct. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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