A meandering, unrelentingly bleak read but one which rewards patient readers with an authentic slice of the hard life.

LITTLE MOCOS

A collection of tough fiction set in the poverty-stricken streets of southern Colorado.

Relles “Manito” Ortiz (“the only Ortiz worth a damn”) is one of a crew of “little mocos” in foster care, living in Huerfano County, Colorado, and intermittently earning their keep in the onion fields of New Mexico. Manito’s journey from ragamuffin street kid to damaged adult is peppered with digressions into the lives of others in the ragtag community: his cousin Bea, who, in the words of her aunt, will likely end up either “dead or pregnant”; Ray “Cornbread” Vigil, Bea’s estranged father, a career criminal and local legend; Neto, Manito’s alcoholic wastrel of an uncle; and Manito’s grandfather Santiago, whose determination to hold his extended family together is threatened when he beats down a razor-packing drunk. Their stories interweave over decades: there are births, backyard weddings, and deaths from natural and unnatural causes. Grinding poverty, stretches in prison, and military service are perennial events, and the struggle to rise above the poverty line is more often than not stymied by circumstance and self-destructive behavior, with happy endings defined more by stability than status. Jaramillo’s (The House of Order, 2011) second novel in stories builds on his debut collection, and fans of that work will likely find much to enjoy here. His writing is crisp, concise, and realistic, with a gimlet eye for the details of his characters’ grim existences. This sense of focus doesn’t extend to the wider structure, however; overall, the work feels less like a novel in stories than it does a collection of flash fiction, prone to digressions without resolution. Some readers may struggle to see beyond its litany of misery and abuse or pine for a novel in which Manito and Bea are the focal characters instead of lost in a sea of other stories. Then again, its sprawling, excursive style, similar to that of the raconteurs it portrays, may be entirely the point.

A meandering, unrelentingly bleak read but one which rewards patient readers with an authentic slice of the hard life.

Pub Date: June 25, 2017

ISBN: 978-0-9987057-1-2

Page Count: 179

Publisher: Twelve Winters Press

Review Posted Online: Oct. 26, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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