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Last Stop: Paris

An exhilarating journey that will satisfy the most avid thriller reader.

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A full-throttle adventure through modern Europe and the Mediterranean in a book that’s part thriller, part mystery, and all rollicking ride.

When readers last saw Eddie Grant in Treasure of Saint-Lazare (2012), he was hot on the trail of Nazi war loot in the company of his on-again, off-again lover, Jen. As readers return to Eddie’s shadowy world of undercover deals and thugs in the employ of crime bosses, they find a quieter, more mature Eddie, now married to Aurélie, a scholar of some note, and living in pleasant domestic bliss. Onto this romantic scene come several of Eddie’s friends, who alert him to suspicious activity within his social circle, involving a man with criminal intentions and an interest in gold. Shortly afterward, a mysterious murder implicates another character from Eddie’s past. As he looks into the matter, Aurélie soon finds herself in danger; at the same time, Jen reappears in Eddie’s life, and he’s simultaneously drawn to her and eager to avoid falling into bed with her again. Soon, he and his comrades must track down another ring of criminals and protect themselves from fatal retribution. Although sequels often suffer by having less energy than first installments, Pearce’s second foray into Eddie’s world has no such trouble. The pacing races from chapter to chapter as characters become more fully fleshed-out—particularly those in Eddie’s ring of friends. Jen provides a nice foil as an engaging modern woman who can take care of herself. Pearce again accomplishes every thriller writer’s aim: creating characters that the readers can root for and a believable, fast-paced storyline. The climax and denouement bring the storylines together neatly, but fans will see that there may yet be room for another book in the series. 

An exhilarating journey that will satisfy the most avid thriller reader.

Pub Date: Dec. 1, 2015

ISBN: N/A

Page Count: -

Publisher: Alesia Press LLC

Review Posted Online: Nov. 3, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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