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HAVEN

A Seattle physician and her Chinese-American husband find out what evil lurks behind the neighborly facade of Haven, Idaho. Assigned to Haven (pop. 918) in return for the medical- school tuition advanced by the Rural Physicians Program, Dr. Cecilia Mak is startled by the townsfolk's almost oppressive goodwill. During a party welcoming her and her husband Mike, Bonnie Gillette offers the two a free meal at her diner, and the beer from Dave Clinton's microbrewery flows like Schlitz. Even the Maks' rental house has been donated by the Widow Tyler, the sheriff's landed grandmother. Gradually, though, cracks open in this matey veneer. Someone tosses a pair of dead cats on the Maks' lawn; someone phones and calls Cecilia a traitor; someone throws a brick through their bedroom window. It looks like the Haven Society, a hush-hush social group, may be a cover for a nest of America Firsters suspicious of Cecilia's marriage to a Chinese-American; a little digging reveals the shameful treatment of Chinese immigrants back in the earliest days of Haven. But that wouldn't explain Bonnie's determined amorous pursuit of Mike, or young Lewis Jackson's ``accidental'' shooting of Raphael Abramowitz (and what was this stranger doing wandering in the woods anyway?), or the strange disappearance of Cecilia and Mike's gay friends Jeremy Horowitz and Tom Parker on their way back to Seattle after a visit. No, behind all those all-American surnames the Haven residents have bestowed on themselves lurk German accents, Wehrmacht commissions, and tracts on eugenics—in short, everything but Hitler's brain in a Mason jar. The return of the Axis menace turns Cooke's ``novel of anxiety'' into well- oiled melodrama, with Mike cut off by a snowstorm from returning to Haven, Cecilia loading his new pistol with hollow-points, and so on. Cooke, whose first two novels (Torsos, 1994; The Chimney Sweeper, 1995) were so memorably sordid, opts for a PG-nightmare that even Disney could film (Nazis at Black Rock?) without turning a hair.

Pub Date: Aug. 30, 1996

ISBN: 0-89296-610-6

Page Count: 464

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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