A Seattle physician and her Chinese-American husband find out what evil lurks behind the neighborly facade of Haven, Idaho. Assigned to Haven (pop. 918) in return for the medical- school tuition advanced by the Rural Physicians Program, Dr. Cecilia Mak is startled by the townsfolk's almost oppressive goodwill. During a party welcoming her and her husband Mike, Bonnie Gillette offers the two a free meal at her diner, and the beer from Dave Clinton's microbrewery flows like Schlitz. Even the Maks' rental house has been donated by the Widow Tyler, the sheriff's landed grandmother. Gradually, though, cracks open in this matey veneer. Someone tosses a pair of dead cats on the Maks' lawn; someone phones and calls Cecilia a traitor; someone throws a brick through their bedroom window. It looks like the Haven Society, a hush-hush social group, may be a cover for a nest of America Firsters suspicious of Cecilia's marriage to a Chinese-American; a little digging reveals the shameful treatment of Chinese immigrants back in the earliest days of Haven. But that wouldn't explain Bonnie's determined amorous pursuit of Mike, or young Lewis Jackson's ``accidental'' shooting of Raphael Abramowitz (and what was this stranger doing wandering in the woods anyway?), or the strange disappearance of Cecilia and Mike's gay friends Jeremy Horowitz and Tom Parker on their way back to Seattle after a visit. No, behind all those all-American surnames the Haven residents have bestowed on themselves lurk German accents, Wehrmacht commissions, and tracts on eugenics—in short, everything but Hitler's brain in a Mason jar. The return of the Axis menace turns Cooke's ``novel of anxiety'' into well- oiled melodrama, with Mike cut off by a snowstorm from returning to Haven, Cecilia loading his new pistol with hollow-points, and so on. Cooke, whose first two novels (Torsos, 1994; The Chimney Sweeper, 1995) were so memorably sordid, opts for a PG-nightmare that even Disney could film (Nazis at Black Rock?) without turning a hair.
Pub Date: Aug. 30, 1996
ISBN: 0-89296-610-6
Page Count: 464
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1996
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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