by John Raffensperger & Richard Krevolin ‧ RELEASE DATE: Dec. 12, 2017
An entertaining, rollicking addition to the Holmes-verse, combining real-world lore with over-the-top melodrama.
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Ever wonder where Arthur Conan Doyle got his Sherlock Holmes ideas? From his thrill-packed diaries, according to these takeoffs on the iconic detective series.
Mixing facts about Conan Doyle’s life with fictional sleuthing, these mock journal entries span 1878 to 1883. The author, a medical student in Edinburgh, supposedly played Watson to the real-life Dr. Joseph Bell, a Holmes-ian professor complete with deerstalker cap, meerschaum pipe, and insufferable omniscience. This volume contains three novels on the duo’s exploits, each featuring quotidian murders linked to grand political conspiracies, cameos by historical figures, and encounters with real-life writers. The first yarn, Adventures in the Wild West, takes the bumbling Conan Doyle and imperious Bell to Chicago, where men are dropping dead and having their glands harvested. Conan Doyle’s shipboard meeting with Robert Louis Stevenson telegraphs the rambunctiousness of the tale, which includes a balloon ride to save President Rutherford B. Hayes and a hook-handed villain. Installment two, Adventures in Russia, sends the heroes to St. Petersburg to save the czar from several assassination plots involving torpedoes and nitroglycerin-filled eggs. The story introduces Penelope Walshingham, a British agent of dubious loyalties. An appearance by Dostoyevsky signals a darkish narrative polarized between brutal czarist police and murderous anarchists, with Bell bingeing on cocaine and Conan Doyle bedding a kitchen maid. Novel three, Adventures in America, ambles toward California when the murder of one Siamese twin (necessitating emergency separation surgery) alerts the protagonists to a grab for the Yukon’s molybdenum resources. Cameos by Mark Twain and Oscar Wilde highlight a droll frontier picaresque with turns by Butch Cassidy and the Sundance Kid and a poker showdown. The team of medical historian Raffensperger and writing professor Krevolin (The Mystery of the Scarlet Homes of Sherlock, 2016) tweaks the Holmes tales to focus on forensics, with intriguing demonstrations of period surgical breakthroughs along with much procedural. (“Bell cut around the tumor until the gyri and sulci of the temporal lobe of the brain came into view.”) They adroitly pilfer tropes from their classic sources, reveling in Victorian trash talk—“You dare to lay hands on a nobleman!”—and contrivances: Mystery men are reliably killed before they can spill their information, and in one bad spot the heroes rely on crazed monkeys for rescue. The authors rack up the body count with awesome efficiency, but some of the mayhem, like an organ extraction from a conscious, paralyzed patient, conveys a chilling horror. Fans should find Bell a worthy epitome of Holmes, his deductions a higher form of know-it-all-ism—“Graceland Cemetery is well known for its fine stand of Hazelnut trees and there is a Hazelnut leaf stuck to the underside of your muddy left shoe”—and his right to rule serenely unchallengeable. Conan Doyle, a sad sack who misses the clues and loses the girls, bears Bell’s insults—“Laddie, sometimes I wonder if you have the cerebral facility for a future in the medical arts”—with quiet indignity but makes for an engaging observer of the hoopla. While it’s all a bit formulaic, the authors stage the proceedings with aplomb, regaling readers with energetic storytelling and colorful characters.
An entertaining, rollicking addition to the Holmes-verse, combining real-world lore with over-the-top melodrama.Pub Date: Dec. 12, 2017
ISBN: 978-1-78705-166-9
Page Count: 658
Publisher: Mx Publishing
Review Posted Online: Jan. 16, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Review Program: Kirkus Indie
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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