MARRY ME

A ROMANCE

Marry me, love me, leave me, marry me—forget me? Could John Updike write an almost forgettable book? This is a temporal diversion and the fact that it is subtitled "A romance" suggests as much as it achieves. Still the Updike constants scratch up the personable surfaces—namely sexuality versus that Higher vision, "the idea of God lending a roundness of significance." It is the lack of a vaulting significance which materially and immaterially dooms the love affair between Jerry, a dimly successful cartoonist afraid of death "in the newspapers or the grass," and Sally, shiny and seductive. On the side but very much present along with their children, are Jerry's wife Ruth, steadied by her "smug" Unitarian background and her remote compusure, and Sally's churlish, offensively masculine husband Richard. In the confrontation a quatre, Richard bellows, "I'm a great horned night owl," while Jerry and Sally and Ruth waver and backpedal. Finally Sally and Jerry go off together only to find that the place is not right. "We all have a season of some kind." Theirs is over, except for revenant memories. . . . This is the gentlest book Updike has written and it is Jerry who lends it his faux-naivete—the lapsed aspirations, longer-lasting regrets. Just as appropriately it is stylistically toned down to only an occasional lyrical line—"the moon moved illumining through an ashen mackerel sky." The book's a little like a cedilla to the stronger works—a small, slow curve.

Pub Date: Nov. 1, 1976

ISBN: 0449912159

Page Count: 332

Publisher: Knopf

Review Posted Online: Oct. 6, 2011

Kirkus Reviews Issue: Nov. 1, 1976

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Heartfelt and funny, this enemies-to-lovers romance shows that the best things in life are all-inclusive and nontransferable...

THE UNHONEYMOONERS

An unlucky woman finally gets lucky in love on an all-expenses-paid trip to Hawaii.

From getting her hand stuck in a claw machine at age 6 to losing her job, Olive Torres has never felt that luck was on her side. But her fortune changes when she scores a free vacation after her identical twin sister and new brother-in-law get food poisoning at their wedding buffet and are too sick to go on their honeymoon. The only catch is that she’ll have to share the honeymoon suite with her least favorite person—Ethan Thomas, the brother of the groom. To make matters worse, Olive’s new boss and Ethan’s ex-girlfriend show up in Hawaii, forcing them both to pretend to be newlyweds so they don’t blow their cover, as their all-inclusive vacation package is nontransferable and in her sister’s name. Plus, Ethan really wants to save face in front of his ex. The story is told almost exclusively from Olive’s point of view, filtering all communication through her cynical lens until Ethan can win her over (and finally have his say in the epilogue). To get to the happily-ever-after, Ethan doesn’t have to prove to Olive that he can be a better man, only that he was never the jerk she thought he was—for instance, when she thought he was judging her for eating cheese curds, maybe he was actually thinking of asking her out. Blending witty banter with healthy adult communication, the fake newlyweds have real chemistry as they talk it out over snorkeling trips, couples massages, and a few too many tropical drinks to get to the truth—that they’re crazy about each other.

Heartfelt and funny, this enemies-to-lovers romance shows that the best things in life are all-inclusive and nontransferable as well as free.

Pub Date: May 14, 2019

ISBN: 978-1-5011-2803-5

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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