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ISLAND FOG

A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.

Two centuries of strange on Nantucket Island.

In Vanderslice’s new collection, the eponymous fog is a metaphor for moral ambiguity. “Guilty Look” provides an early (set in 1795) example of bankers exploiting the justice system for personal gain. In “King Philip’s War” (1823), the uneasy friendship of two boys, white and Indian, echoes the détente between their respective populations. Orpha, who has heard nothing of her whaler husband, Reuben, for more than three years, happily gives up on him in “On Cherry Street” (1837). In “Taste” (1846), Gideon, a once-promising ship’s captain, has worked as a night watchman for almost three decades, since his ship was wrecked by a sperm whale. In weeks adrift on a small boat, Gideon resorted to cannibalism, a “taste” which has not left him since. On Vanderslice’s Nantucket, modernity does nothing to mediate the macabre, menacing and mysterious. In “How Long Will You Tarry?” (1920), a black schoolteacher descended from the island’s African settlers encounters an eerie reminder of incipient racial prejudice on her walk home. A plumber is forced to face the truth about the only woman who loved him in “Morning Meal” (1999). The increasingly upscale Nantucket of the 2000s harbors even more danger. In “Beaten,” a vacationer’s daily run becomes a nightmare as a stranger dogs his steps like a Nike-clad fury. A gay man suddenly summoned off island by a fickle Bostonian lover weighs his options while a nightly, ghostly presence weighs down his chest in “Haunted.” The title of “Newfoundland” suggests the longed-for escape of a successful auto dealer whose social-climbing wife is bankrupting him. Hosanna, a Jamaican single mother who's trying to survive with her two children by running a snack shop, finds her precarious security further undermined by the woman she trusted to manage the slacker summer help in “Managing Business.” In the supremely unsettling title story, Doug, another slacker, finds himself drawn into a Faustian bargain with a uniquely New England twist.

A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.

Pub Date: Oct. 1, 2014

ISBN: 978-1-935084-41-9

Page Count: 300

Publisher: Lavender Ink

Review Posted Online: Sept. 17, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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